玻璃，在章藻藻此次個(gè)展中扮演著重要的角色。它跨越藝術(shù)圍墻的呈現(xiàn)，是反思，更是突破。
Glass plays an important role in Zhang's exhibition. Its presentation across the wall of art is not only a reflection, but also a breakthrough.
2022年3月28日，章藻藻個(gè)展“蛻-Metanoia”在北京宋莊蚓力空間開(kāi)幕。此次展覽共展出作品20余件，表達(dá)對(duì)種種不確定性的因素及轉(zhuǎn)化。
On March 28, 2022, Zhang zaozao's exhibition "Metanoia" opened at The earthworm space in Songzhuang, Beijing. More than 20 works are exhibited in this exhibition to express the factors and transformation of various uncertainties.
此次個(gè)展，章藻藻通過(guò)雕刻，將象征傷害和毀滅的破碎玻璃轉(zhuǎn)化成蝴蝶。善惡、美丑、生死、無(wú)用與有用的矛盾循環(huán)，相互觸發(fā)和轉(zhuǎn)變，引領(lǐng)人們思考靈魂與物質(zhì)的關(guān)系。
In this exhibition, Zhang zaozao transformed broken glass symbolizing injury and destruction into butterflies through carving. The contradictory cycles of good and evil, beauty and ugliness, life and death, uselessness and usefulness trigger and change each other, leading people to think about the relationship between soul and material.
章藻藻個(gè)展呈現(xiàn)給觀眾的，結(jié)合了學(xué)術(shù)、影像、場(chǎng)景還原等多重體悟。展覽現(xiàn)場(chǎng)，一件件出現(xiàn)在廢墟、墻頭、雪地里的玻璃碎片，詮釋各個(gè)時(shí)空及角度。此外，兩幅數(shù)字動(dòng)畫(huà)作品，以碎片玻璃與人腦融合的意象，體現(xiàn)出生生不息的輪回。
Zhang zaozao's exhibition presents the audience with a combination of academic, image, scene restoration and other multiple insights. At the exhibition site, pieces of glass appeared in the ruins, walls and snow, explaining various time and space and angles. In addition, the two digital animation works embody the endless reincarnation with the image of the fusion of broken glass and human brain.
不難看出，章藻藻是一位富有個(gè)性的藝術(shù)家，她不單將玻璃視為破碎之物，并賦予了其靈性和生命。她是將玻璃納入時(shí)空，通達(dá)人與自然。
It is not difficult to see that Zhang zaozao is an artist full of personality. She not only regards glass as a broken thing, but also endows it with spirituality and life. She brings glass into time and space, understands man and nature.
章藻藻表示，希望通過(guò)改變玻璃碎片的功能和特性，消解其帶來(lái)的破壞性和隔閡。跨越高墻，實(shí)現(xiàn)覺(jué)醒。毀滅的極致是重生。
Zhang zaozao said that she hopes to eliminate the destructiveness and estrangement caused by changing the functions and characteristics of glass fragments. Cross the high wall and realize awakening. The ultimate destruction is rebirth.
過(guò)去二十年，章藻藻通過(guò)她獨(dú)特的感知力，創(chuàng)作了大量豐富的作品。通過(guò)傳統(tǒng)的創(chuàng)作語(yǔ)言以及現(xiàn)代表達(dá)，體現(xiàn)東方哲學(xué)思想及自由觀念。完成了藝術(shù)家的自我延展。
In the past two decades, Zhang zaozao has created a large number of works through her unique perception. Through the traditional creative language and modern expression, it reflects the Oriental philosophy and the concept of freedom. Completed the artist's self extension.
做為一名教授，她不斷探索，并通過(guò)實(shí)踐鼓勵(lì)學(xué)生打破局限，鍛煉審視自我的批判能力。章藻藻表示：我不希望去界定一個(gè)藝術(shù)家的身份或者定義一個(gè)人的職業(yè)，因?yàn)樽兓陔S時(shí)隨地發(fā)生。由于身份的多重性，我的體系是在體系之外，或游走體系之間，讓我獲得創(chuàng)造力的自由綻放。
As a professor, she constantly explores and encourages students to break through limitations and exercise their critical ability to examine themselves through practice. Zhang zaozao said “I don‘t want to define an artist's identity or a person's career, because changes happen anytime, anywhere. Due to the multiplicity of identities, my system is outside the system, or between the systems, so that I can obtain the free bloom of creativity.”
值得一提的是，本次展覽是繼章藻藻所著圖書(shū)《玉石雕刻》后，在文化藝術(shù)領(lǐng)域推出的一次重磅展出。在個(gè)體發(fā)展基礎(chǔ)之上，圍繞文化傳承的不斷創(chuàng)新。
It is worth mentioning that this exhibition is a bomshell exhibition in the field of culture and art after the book “jade carving” written by Zhang zaozao. On the basis of individual development, we should focus on the continuous innovation of cultural inheritance.
策展人 / 溫凌杏
