執(zhí)壺為一種酒器。最早為瓷質(zhì)的，出現(xiàn)于中唐時(shí)，當(dāng)時(shí)稱注子。唐代執(zhí)壺碩腹，喇叭口，短嘴，壺的重心在下部。后壺體漸瘦長，重心向上提，五代至宋時(shí)壺體多為瓜棱式， 往往與注碗成套使用。從元代開始，執(zhí)壺的壺體呈玉壺春瓶式，壺流彎曲而細(xì)長， 景德鎮(zhèn)窯與龍泉窯都有燒制。明清時(shí)期，形式變化不大，并開始出現(xiàn)玉、琺瑯、金銀等質(zhì)地的執(zhí)壺。
The stewed pot is a kind of wine vessel. The earliest is porcelain, appeared in the middle Tang Dynasty, then called notes. It has a large belly, a bell mouth, a short mouth, and the center of gravity is at the lower part of the pot. The rear pot body is thin and long, and the center of gravity is lifted upward. The pot body from the Five Dynasties to the Song Dynasty is mostly of melon edge type, which is often used in complete sets with the pouring bowl. Starting from the Yuan Dynasty, the body of the beaded pot was in the shape of a jade spring bottle with a curved and slender flow. Both Jingdezhen Kiln and Longquan Kiln were fired. During the Ming and Qing Dynasties, there was little change in the form, and porcelains of jade, enamel and gold and silver began to appear.
明代宣德年間景德鎮(zhèn)御窯廠燒造的青花瓷器，在中國陶瓷發(fā)展史上具有很重要的地位。它以其古樸，典雅的造型，晶瑩艷麗的釉色，多姿多彩的紋飾而聞名于世！相比明代各朝的青花瓷器，宣德時(shí)期燒制工藝達(dá)到了巔峰，成為中國瓷器名品之一，其成就被稱頌為“開一代未有之奇”《景德鎮(zhèn)陶錄》亦有評估宣德瓷器：“諸料悉精，青花最貴。
”The blue and white porcelain made by Jingdezhen imperial kiln during the Xuande period of the Ming Dynasty plays a very important role in the history of Chinese ceramics. It is famous for its simple and elegant shape, glittering and translucent glaze and colorful patterns! Compared with the blue and white porcelain of the Ming Dynasty, the firing process of Xuande period reached its peak and became one of the famous Chinese porcelain products. Its achievement was praised as "the wonder of a generation". The records of Jingdezhen pottery also evaluated Xuande porcelain: "all materials know the essence, and blue and white are the most expensive."
此宣德款青花纏枝花執(zhí)壺 ，該器通高：26.5Cm口：6Cm底：8.5Cm。品相完美，發(fā)色一流。器型特殊，通體施釉，釉質(zhì)瑩潤光潔，白地青花，青花色澤淡雅；胎質(zhì)厚重堅(jiān)實(shí)，器型端莊秀雅，簡潔清新，釉汁凝潤泛青，胎骨堅(jiān)致細(xì)薄，執(zhí)之品鑒，纖巧怡人。器身于青白釉下滿飾青花紋樣，均繪纏枝蓮紋，內(nèi)外呼應(yīng)，相得益彰。觀此執(zhí)壺，造型之優(yōu)美，流暢之大氣，無處不透露出皇家御器的貴族氣質(zhì)，極具審美意趣與收藏價(jià)值。
This Xuande blue and white twig and flower holding pot ， The through height of the device: 26.5cm, port: 6cm, bottom: 8.5cm. Perfect appearance and first-class hair color. It has a special type. The whole body is glazed. The glaze is bright and clean. The white ground is blue and white, and the blue and white color is elegant; The fetus is thick and solid, the shape is dignified and elegant, simple and fresh, the glaze is moist and green, the fetal bone is firm and thin, and the taste is delicate and pleasant. The body is decorated with blue and white patterns under the blue and white glaze, all of which are painted with tangled branches and lotus patterns, which echo inside and outside and complement each other. Looking at this holding pot, the beautiful shape and smooth atmosphere reveal the aristocratic temperament of Royal imperial ware everywhere, which is of great aesthetic interest and collection value.
此宣德官窯執(zhí)壺，秀美而不失渾厚，壺身上秀下實(shí)，穩(wěn)重典雅，寬壺把線條優(yōu)美流暢，執(zhí)壺通體施釉，釉質(zhì)青白透澈，肥潤晶瑩，青花發(fā)色翠藍(lán)深沉，繪畫工麗細(xì)致，花紋濃艷出重筆點(diǎn)染，體現(xiàn)出“蘇麻離青”料鐵銹斑沉淀的效果，底胎氧化老化痕跡明顯，書“宣德年制”楷書四字，青花暈散自然，效果極佳。
This Xuande official kiln holds a pot, which is beautiful but thick. The pot body is solid, stable and elegant. The line of the wide pot handle is beautiful and smooth. The whole body of the pot is glazed, with clear blue and white glaze, fat and crystal, deep blue and white hair color, beautiful and meticulous painting, thick and colorful patterns, heavy pen dyeing, reflecting the effect of "Su Ma Li Qing" material iron rust spot precipitation, and obvious signs of oxidation and aging of the bottom tire, The book "Xuande year system" is written in regular script with four characters, blue and white halo scattered naturally, and the effect is excellent.
值得一提的是，此執(zhí)壺青花釉色厚潤，在留白處經(jīng)緯分明，此種風(fēng)格甚為難得。整把執(zhí)壺造型明亮，內(nèi)涵深刻，實(shí)系明代青花器皿中罕見之器。能遺存至今，極為不易。
It is worth mentioning that the blue and white glaze is thick and moist, and the warp and weft are distinct in the blank. This kind of style is very rare. The whole handle is bright in shape and profound in connotation. It is rare in the blue and white ware of Ming Dynasty. It is not easy to survive.
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