鎏金是將金和水銀合成金汞劑，涂在銅器表面，然后加熱使水銀蒸發，金就附著在器面不脫。關于金汞劑的記載，最初見于東漢煉丹家魏伯陽的《周易參同契》。而關于鎏金技術的記載，最早見于梁代。《本草綱目·水銀條》引梁代陶弘景的話說：水銀“能消化金銀使成泥，人以鍍物是也。”這個記載比鎏金器物的出現晚了約八個世紀。
Gold gilding is the combination of gold and mercury into gold-mercury agent, which is coated on the surface of copper ware, and then heated to vaporize the mercury, so that the gold will adhere to the surface of the ware. The record of gold amalgam was first seen in The Book Zhou Yi Can Tong Qi by Wei Boyang, an alchemist in the Eastern Han Dynasty. And about the record of gold - gold technology, the earliest see in the Liang Dynasty. "Compendium of Materia Medica · Mercury Strips" quotes Tao Hongjing of the Liang Dynasty as saying that mercury "can digest gold and silver and make it into mud, and people also use it for plating." This record is about eight centuries later than the appearance of gilt ware.
從已出土的文物證實，在戰國時期古人已掌握了鎏金技術。從河北滿城中山靖王劉勝墓出土的“楚大官糟鐘”來看，它的鎏金技術已相當的成熟。鎏金技術不是一下子就容易掌握的，它是我國古代勞動人民在生產勞動中通過開創研究、不斷探索總結才創造出了這項工藝。從信陽長臺關楚墓出土的“鼎”來看，造型有戰國早期的風格特征，該墓出土的鎏金銅帶鉤等也為戰國早期的器物。所以，有的專家學者認為鎏金工藝初始時間應定于春秋末期或戰國早期。
From the unearthed cultural relics proved that the ancients in the Warring States period had mastered the technology of gold gilding. Judging from the "Chu Dagoban bell" unearthed from Liu Sheng tomb of King Jing in Zhongshan City, Hebei Province, its gilding technology has been quite mature. Gilt technology is not easy to grasp all of a sudden, it is our ancient working people in the production of labor through the creation of research, constantly explore summary to create this process. From the "ding" unearthed from the Chu tomb in Changtai, Xinyang, the shape has the style characteristics of the early Warring States period, the gilt copper belt hook unearthed from the tomb is also the early Warring States period artifacts. So, some experts and scholars think that the initial time of gilt technology should be set at the end of the Spring and Autumn period or early Warring States period.
而在古代鎏金器物中，每個朝代的皇帝都偏愛于佛像，以至于鎏金器物中，以佛銅像最為尊貴。而佛教自漢代傳入中國，初期只被視作神仙道術的一種，流行不廣。西晉以后，社會動蕩，人民生活痛苦，為佛教信仰的傳播提供了的寬廣的民間土壤；另一方面，匈奴、鮮卑、羯、氐、羌等少數民族入主中國北方，它們的文化傳統與來源于西域的佛教更易于相互認同。因此，佛教在十六國時期得以迅速生長，并滲透到社會各個階層。這一時期出現了中國的最早一批高僧，他們得到了胡族統治者的大力扶持。
In the ancient gilded objects, the emperors of each dynasty all favored the Buddha statue, so that in the gilded objects, the Bronze Buddha statue was the most honorable. However, Buddhism was introduced into China from the Han Dynasty. In the early stage, it was only regarded as a kind of Taoist immortals, which was not widely popular. After the Western Jin Dynasty, social unrest and people's suffering provided a broad folk soil for the spread of Buddhist belief. On the other hand, the cultural traditions of the Xiongnu, Xianbei, Jie, Di, Qiang and other minorities in northern China were more easily recognized by the Buddhism from the Western regions. As a result, Buddhism grew rapidly during the Sixteen Kingdoms period and penetrated into all levels of society. This period saw the emergence of China's first eminent monks, who were strongly supported by the Hu rulers.
此尊銀鎏金鑲白玉觀音像，高33厘米，銀鎏金工藝，做工精細，包漿醇厚品相完美！佛像結螺髻發，彎眉修目，雙耳下垂，面相豐滿，表情深沉內省，富有力度，五官輪廓線條異常分明。將肢體的柔軟質感刻畫的十分生動表現的十分充分。此佛像造型型比例協調，不論細部處理，還是整體把握，均增益有度，恰到好處，一絲不茍，殊為難得，是一件不錯的藝術陳設收藏美品。
This silver gilded and inlaid with white jade Guanyin statue is 33 cm high. The silver gilding process is fine, mellow and perfect! The Buddha has a bun hair, curved eyebrows and eyes, drooping ears, plump face, deep expression, introspection and strength, and the outline of facial features is unusually clear. The soft texture of the limbs is vividly depicted and fully expressed. It's good to grasp the beauty of a piece, whether it's a fine piece or a fine collection.
此銅像用銀鑄造，表面鎏金、可移動的佛造像，被稱為‘鎏金銀佛像’。這種佛像最開始出現在兩漢，盛行于隋唐，延續至明清。而鎏金工藝，是我國一種傳統的技術，發明于戰國時期，至今已有兩千多年的了。鎏金是把金子和水銀合成‘金汞齊’，涂在銀器的表面，再加熱使水銀蒸發，金子就附著在佛像表面不脫落。由于其工藝精制且珍稀，國內目前對此類藏品有了新的認識和挖掘。
This bronze statue is made of silver, and the surface is gilded with gold. It is called the "gilded Buddha statue". This kind of Buddha first appeared in the Han Dynasty, prevailed in the Sui and Tang Dynasties, and continued to the Ming and Qing Dynasties. The gilding process is a traditional technology in China. It was invented in the Warring States period and has been used for more than 2000 years. Gilding is to combine gold and mercury into a "gold amalgam" and apply it to the surface of silver. Then heat it to evaporate the mercury, and the gold will adhere to the surface of the Buddha statue without falling off. Due to its refined and rare technology, there is a new understanding and excavation of this kind of collection in China.
2000年以后，國內佛像收藏才開始啟動。2001年香港佳士得拍賣的永樂御制鎏金銅釋迦牟尼佛僅以227萬成交，國內反應冷淡；但隨著中國藝術市場的發展和人們對藝術品認識水平的不斷提高，金銅佛造像藝術的價值逐漸被人們所認識和挖掘，金銅佛市場開始得到持續開發。在2016香港中華大型藝術品春季拍賣會上，雷納德國際拍賣有限公司推出一對銅鎏金佛像擺件，起拍價120萬，經過多輪競拍，最終成交價為626萬，由此可見其價值之高。
After 2000, the collection of Domestic Buddha statues began to start. The Gold copper sakyamuni Buddha of yongle Gilt auctioned by Christie's in Hong Kong in 2001 clinched a deal with 2.27 million only, which received a lukewarm response in China. However, with the development of China's art market and the continuous improvement of people's understanding of artworks, the value of gold and copper Buddha statue art is gradually recognized and excavated by people, and the gold and copper Buddha market begins to be continuously developed. In the 2016 Chunghua Large Art Spring Auction in Hong Kong, Rennard International Auction Co., Ltd. launched a pair of bronze gilt Buddha ornaments with a starting price of 1.2 million yuan. After several rounds of bidding, the final transaction price was 6.26 million yuan, which shows its high value.
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