傅抱石(1904-1965)我國現(xiàn)代著名的國畫家、美術史研究和繪畫理論家,少年時代飽受艱辛,當過瓷器店學徒和補傘匠。熱愛中國傳統(tǒng)書畫、篆刻藝術,刻苦自學,尤崇石濤,1921年考入江西第一師范學校,號"抱石齋主人傅抱石",從此走上藝術之路。1933年傅抱石進入東京日本帝國美術學校研究部,很快以畫、文、書、印"四絕"全才嶄露頭角,尤以山水畫見長。1935年7月任教于南京中央大學藝術系,新中國成立后,傅抱石除在南京師范學院美術系任美術史教授外,先后擔任了中國美術家協(xié)會江蘇省分會主席,江蘇省國畫院院長等職務。
Fu Baoshi (1904-1965) was a famous modern Chinese painter, art history researcher and painting theorist in China. He suffered a lot in his youth, and worked as an apprentice and umbrella mender in a porcelain shop. He loved traditional Chinese painting and calligraphy and seal cutting and studied hard. He was admitted to Jiangxi first normal school in 1921 as "Fu Baoshi, the master of Baoshi studio" and embarked on the road of art. In 1933, Fu Baoshi entered the research department of Japanese Imperial Academy of Fine Arts in Tokyo, and soon became famous for his "four talents" in painting, writing, calligraphy and printing, especially in landscape painting. In July 1935, he taught in the Art Department of Nanjing Central University. After the founding of the people's Republic of China, Fu Baoshi, in addition to being a professor of art history in the Art Department of Nanjing Normal University, successively served as chairman of Jiangsu Branch of China Artists Association and President of Jiangsu Academy of traditional Chinese painting.
傅抱石有一個創(chuàng)作習慣，往往同一題材反復經(jīng)營，不斷錘煉，構圖一旦滿意輒多有繪制，南京博物院所藏《擘阮圖》亦然。《擘阮圖》是傅抱石人物作品中的精品的代表作之一，該作品為人物系列作品，創(chuàng)作時間從1945—1962年，跨度17年，繪畫多幅。
Fu Baoshi has a habit of creating. He often works on the same subject repeatedly and constantly improves his composition. Once he is satisfied with the composition, he often draws many pictures, and so does the painting of BRAO Ruan collected by Nanjing Museum《 The painting of braving Ruan is one of Fu Baoshi's masterpieces. It is a series of works of figures. The creation time is from 1945 to 1962, spanning 17 years. There are many paintings.
傅抱石是個十足的石濤迷。而他亦因深愛石濤的畫作，更將其名改為“抱石”。他曾透露，多年來不曾離開研究石濤的影響，“當我擎毫伸紙的時候，往往不經(jīng)意又觸著了他。”對此，在總結現(xiàn)代模仿石濤的繪畫大家時，石濤迷有傅抱石、張大千、黃秋園、石魯四人。“如果按照傳統(tǒng)的神、妙、能、逸的劃分方法，則傅抱石為神品，張大千為妙品，黃秋園為能品，石魯為逸品。”對此，傅抱石是最接近石濤畫的畫家。他的作品絕不是依樣畫葫蘆地模仿石濤的筆墨，而是從石濤的創(chuàng)作道路中取得借鑒。綜觀傅抱石藝術人生，其山水畫最為出名，更為后人所評的是，他是最接近石濤的畫家。后創(chuàng)“散鋒筆法”，使毛筆不僅僅停留在中鋒、側鋒上面。
Fu Baoshi is a complete fan of Shi Tao. Because of his deep love for Shi Tao's paintings, he changed his name to "Baoshi". He once revealed that he had not left to study the influence of Shi Tao for many years. "When I hold the paper, I often touch him inadvertently." In this regard, when summing up the modern masters who imitate Shi Tao's paintings, Shi Tao is fascinated by Fu Baoshi, Zhang Daqian, Huang Qiuyuan and Shi Lu“ According to the traditional method of dividing God, subtlety, Neng and Yi, Fu Baoshi is a divine product, Zhang Daqian is a wonderful product, Huang Qiuyuan is a Neng product, and Shi Lu is a Yipin. " In this regard, Fu Baoshi is the closest painter to Shi Tao's painting. His works are not imitations of Shi Tao's brush and ink, but draw lessons from Shi Tao's creation. Looking at Fu Baoshi's artistic life, his landscape painting is the most famous. What's more, he is the closest painter to Shi Tao. After the creation of "loose front stroke", so that the brush not only stay in the center, side forward above.
此幅山水畫作品具有非常明顯的傅抱石個人風格，畫家注重水墨意趣，表現(xiàn)自然之美，但同時傅抱石的山水畫不全是自然界真山真水的簡單摹寫，而是在筆墨情趣的同時，寄托著畫家深刻的思想和才情。畫家面對大自然山水的體察領悟與水墨、意境、章法融為一體，達到氣勢磅礴的效果。
This landscape painting has a very obvious personal style of Fu Baoshi. The painter pays attention to the interest of water and ink, and shows the beauty of nature. But at the same time, Fu Baoshi's landscape painting is not all a simple description of the real mountains and water in nature, but a deep thought and talent of the painter. The painter's perception of the natural landscape is integrated with ink painting, artistic conception and composition to achieve a majestic effect.
“中國名家書畫精品拍賣會”在漢落槌。此次共有300幅名家字畫上拍，一幅傅抱石的山水人物作品以700萬元奪魁，刷新了今年以來武漢藝術品拍賣市場成交價之最。與以往不同的是，此次拍賣會吸引了近百位當代知名畫家親郵作品來漢試水。
The auction of Chinese famous painting and calligraphy was held in the Han Dynasty. A total of 300 masterpieces of calligraphy and paintings were sold this time, and one of Fu Baoshi's landscape figure works won the first prize with 7 million yuan, setting a new record of the highest transaction price in Wuhan art auction market this year. Different from the past, the auction attracted nearly 100 well-known contemporary painters to test their works.
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