馬泉，字清源，別名博熙；中國(guó)當(dāng)代著名書(shū)畫(huà)家，詩(shī)人，一九三八年生，山西清徐人。中國(guó)北京畫(huà)院一級(jí)美術(shù) 師。1957年中央美術(shù)學(xué)院附中首屆畢業(yè)生，1962年中央美術(shù)學(xué)院國(guó)畫(huà)系畢業(yè)。同年到北京中國(guó)畫(huà)院進(jìn)修兩年，結(jié)業(yè)后留院創(chuàng)作。擅長(zhǎng)中國(guó)人物畫(huà)，精于工筆重彩，兼能?chē)?guó)畫(huà)、山水、花鳥(niǎo)、篆刻及水彩畫(huà)。從1957年起參加全國(guó)省、市級(jí)以上各種畫(huà)展300多次，并多次在香港、日本、法國(guó)、美國(guó)、加拿大、東南亞、東歐等處展出。作品為國(guó)內(nèi)外200多個(gè)博物館、紀(jì)念館、畫(huà)院及海外畫(huà)廊收藏，并多次獲獎(jiǎng)。多次舉辦個(gè)人畫(huà)展及個(gè)人水彩畫(huà)展。
Ma Quan was born in Qingxu, Shanxi Province in 1938. First class artist of Beijing Painting Academy, China. In 1957, he graduated from the First Affiliated Middle School of the Central Academy of fine arts, and in 1962 he graduated from the Department of Chinese painting of the Central Academy of fine arts. In the same year, he went to Beijing Chinese Academy of painting for two years and stayed in the academy to create after graduation. He is good at Chinese figure painting. He is good at Chinese painting, landscape painting, flowers and birds, seal cutting and watercolor painting. Since 1957, he has participated in more than 300 exhibitions at provincial and municipal levels, and has exhibited in Hong Kong, Japan, France, the United States, Canada, Southeast Asia and Eastern Europe. His works have been collected by more than 200 museums, memorials, art academies and overseas galleries at home and abroad. He has held many individual exhibitions and watercolor exhibitions.
代表作有《還我河山》、《黃河之水天上來(lái)》、《秋爽齋》、《書(shū)香》、《同繪丹青為人民》，及歷史畫(huà)《河間大捷》、《中國(guó)人民站起來(lái)了》等。所作工筆重彩人物畫(huà)則結(jié)合西畫(huà)技法，力求新內(nèi)容和新的時(shí)代氣息，并把反映現(xiàn)實(shí)生活作為創(chuàng)作重點(diǎn)，所作寫(xiě)意歷史人物畫(huà)重詩(shī)情畫(huà)意，畫(huà)風(fēng)瀟灑、清新，線條流暢，別具一格。個(gè)人創(chuàng)作出版專(zhuān)集有《馬泉國(guó)畫(huà)作品集》、《馬泉水彩集》等4種，及個(gè)人藝術(shù)傳《藝苑馳騁》。1986年、1988年兩次訪問(wèn)美國(guó)，講學(xué)于紐約市立大學(xué)，丕士大學(xué)、費(fèi)城摩爾藝術(shù)大學(xué)，并在美國(guó)舊金山舉辦個(gè)人詩(shī)詞書(shū)畫(huà)展。現(xiàn)為中國(guó)美術(shù)家協(xié)會(huì)會(huì)員、北京畫(huà)院一級(jí)美術(shù)師、中國(guó)書(shū)畫(huà)社理事、中華老人文化交流促進(jìn)會(huì)理事、北京詩(shī)詞學(xué)會(huì)顧問(wèn)、美國(guó)舊金山中華文化藝術(shù)研究院顧問(wèn)。簡(jiǎn)介及藝術(shù)簡(jiǎn)歷分別收錄在《中國(guó)現(xiàn)代美術(shù)家人名大辭典》、《當(dāng)代書(shū)畫(huà)篆刻家辭典》、美國(guó)傳記中心《世界名人傳》、英國(guó)劍橋《世界名人錄》等20多部美術(shù)大辭典中。
His representative works include "returning my River and mountain", "the water of the Yellow River comes up from the sky", "autumn cool studio", "the fragrance of books", "painting paintings for the people", and the historical paintings "great victory between the rivers" and "the Chinese people stand up". His fine brushwork and heavy color figure paintings combine western painting techniques to strive for new content and new flavor of the times, and take the reflection of real life as the key point of creation. His freehand historical figure paintings attach importance to poetic and picturesque style, and the painting style is natural and fresh, and the lines are smooth and unique. There are four kinds of monographs, such as Maquan traditional Chinese painting works collection and Maquan water color collection, and personal art biography "art garden gallop". He visited the United States twice in 1986 and 1988, lecturing at the City University of New York, pish University and Moore University of art in Philadelphia, and held a personal poetry, calligraphy and painting exhibition in San Francisco, USA. He is now a member of China Artists Association, a first-class artist of Beijing Painting Academy, director of Chinese calligraphy and painting society, director of Chinese elderly Cultural Exchange Promotion Association, consultant of Beijing poetry society, and consultant of Chinese culture and Art Research Institute in San Francisco. The introduction and art resume are respectively included in more than 20 art dictionaries, such as the dictionary of names of modern Chinese artists, dictionary of contemporary calligraphy, painting and Seal Engravers, biography of world celebrities by American Biography center, and world who's who in Cambridge, UK.
馬泉先生在長(zhǎng)期的藝術(shù)實(shí)踐中，將傳統(tǒng)國(guó)畫(huà)的筆墨，融匯西畫(huà)素描和水彩畫(huà)的表現(xiàn)手法，形成了自己的特有 的寫(xiě)實(shí)畫(huà)風(fēng)，在工筆重彩繪畫(huà)中獨(dú)特一幟。其寫(xiě)意人物畫(huà)，也是清新秀逸，瀟灑自如。不僅如此，在國(guó)畫(huà)山水、花卉、書(shū)法等方面也均有建樹(shù)。可以說(shuō)馬泉先生是一位全面發(fā)展的畫(huà)家，也是上世紀(jì)60年代成長(zhǎng)起來(lái)的新中國(guó)第一批國(guó)畫(huà)家中的佼佼者。馬泉在藝術(shù)園地耕耘了近60個(gè)春秋在不同的歷史時(shí)期，緊扣時(shí)代的脈搏，創(chuàng)作出許多有影響的作品。1953年作為新中國(guó)第一屆美院附中的學(xué)員，馬泉聆聽(tīng)了徐悲鴻院長(zhǎng)的《新中國(guó)的美術(shù)事業(yè)，將從你們開(kāi)始》的開(kāi)學(xué)祝詞。1957年馬泉先生以?xún)?yōu)異的成績(jī)升入中央美術(shù)學(xué)院國(guó)畫(huà)系，大學(xué)期間直接受到藝術(shù)大師蔣兆和、葉淺予、李可染、李苦禪、劉凌滄等先生的教導(dǎo)與熏陶。在學(xué)院學(xué)習(xí)期間，馬泉先生就參加了“北京市美術(shù)作品展”，展后其山水作品《諧趣園》、人物作品《大字報(bào)》分別為北京市美協(xié)、吉林省博物館收藏。
In his long-term artistic practice, Mr. Ma Quan combined traditional Chinese painting with Western painting sketch and watercolor painting, forming his own unique realistic painting style, which is unique in meticulous and heavy color painting. Its freehand figure painting is also fresh and elegant, natural and unrestrained. It is not only in calligraphy, but also in Chinese painting. It can be said that Mr. Ma Quan is an all-round painter, and he is also one of the first batch of Chinese painters who grew up in the 1960s. Ma Quan has been working in the art garden for nearly 60 years. In different historical periods, Ma Quan has created many influential works in keeping with the pulse of the times. In 1953, as a student of the first high school affiliated to the Academy of fine arts of new China, Ma Quan listened to the opening congratulation of president Xu Beihong's "art career in New China will start from you". In 1957, Mr. Ma Quan was promoted to the Department of traditional Chinese painting of the Central Academy of fine arts with outstanding achievements. During his university, he was directly taught and influenced by art masters such as Jiang Zhaohe, ye Qianyu, Li Keran, Li kuchan and Liu lingcang. During his study in the college, Mr. Ma Quan participated in the "Beijing Art Works Exhibition". After the exhibition, his landscape works "humorous garden" and his figure work "big character newspaper" were collected by Beijing Art Association and Jilin Provincial Museum respectively.
1962年馬泉先生以描繪岳飛收復(fù)故土為內(nèi)容的巨幅畢業(yè)創(chuàng)作《還我河山》，獲全班人物創(chuàng)作最高分。后被人民美術(shù)出版社選中，大量印刷發(fā)行全國(guó)。他到北京中國(guó)畫(huà)院工作后，創(chuàng)作的《背簍商店》組畫(huà)、《毛主席夸咱槍法好》等作品又被報(bào)刊連載和出版發(fā)行。辛勤終獲豐收，畫(huà)壇嶄露頭角。但成績(jī)并未使他停步。為進(jìn)一步提高國(guó)畫(huà)技能，他還完整地臨摹了《八十七神仙卷》、《搜山圖》、《群仙祝壽圖》等，以精研中國(guó)畫(huà)用線造型的多種表現(xiàn)手法和多種規(guī)律。不久，馬泉先生應(yīng)湖南省博物館，屈原紀(jì)念館的收藏需要?jiǎng)?chuàng)作了《九歌》白描作品。1964年春，國(guó)畫(huà)大師劉凌滄和劉繼卣先生以及晏少翔、姚增補(bǔ)等人共同參加了大型工筆重彩 《紅樓夢(mèng)》組畫(huà)這一具有歷史意義的集體創(chuàng)作，馬泉先生是其中最年輕的一位。1964年金秋，大型《紅樓夢(mèng)》組畫(huà)在故宮武英殿及日本、 越南、香港等國(guó)家和地區(qū)展出后，引起極大反響。
In 1962, Mr. Ma Quan's graduation work "returning my River and mountain" with the content of depicting Yue Fei's recovery of his hometown won the highest score in the class's character creation. Later, it was selected by the people's fine arts publishing house and printed and distributed in large quantities throughout the country. After he worked in Beijing Chinese Academy of painting, his works such as "back basket shop" and Chairman Mao's praise of our good shooting skills were serialized and published in newspapers and periodicals. Hard work eventually reaped a good harvest, and the painting world came to the fore. But the results did not stop him. In order to further improve the skills of traditional Chinese painting, he also copied the scroll of eighty-seven immortals, the painting of searching mountains, and the painting of celebrating the birthday of group immortals. Soon, Mr. Ma Quan created the line drawing works of "Nine Songs" for the collection of Hunan Provincial Museum and Qu Yuan Memorial Hall. In the spring of 1964, Chinese painting masters Liu lingcang and Mr. Liu Jiyou, Yan Shaoxiang, Yao Zengzi and others participated in the large-scale group painting of a dream of Red Mansions, which is of historical significance. Mr. Ma Quan is the youngest of them. In the golden autumn of 1964, the large-scale series of paintings of a dream of red mansions were exhibited in Wuying Hall of the Forbidden City, Japan, Vietnam, Hong Kong and other countries and regions, causing great repercussions.
“文革”結(jié)束后，馬泉迎來(lái)了創(chuàng)作的高峰，到1987年的10年中他已參加過(guò)全國(guó)性和北京市以及海外畫(huà)展140次，創(chuàng)作了千幅的作品，這一時(shí)期的重要?jiǎng)?chuàng)作很多，如 《中國(guó)人民站起來(lái)了》、《中南海之春》、《根據(jù)偉大的戰(zhàn)略部署》等，更多的創(chuàng)作題材是反映英雄模范人物和他們?cè)谄椒矋徫簧系南冗M(jìn)業(yè)績(jī)。1986年、1988年馬先生應(yīng)邀兩次訪美，講學(xué)于紐約市立大學(xué)、丕士大學(xué)，并于舊金山舉辦個(gè)人詩(shī)書(shū)畫(huà)印展，還在美國(guó)《星島日?qǐng)?bào)》、《北美時(shí)報(bào)》、《中報(bào)》及紐約“中外美術(shù)家座談會(huì)”上，宣傳介紹了中國(guó)的民族繪畫(huà)藝術(shù)發(fā)展史及其特點(diǎn)。并在紐約“奧本貸圖書(shū)館”作了國(guó)畫(huà)工筆畫(huà)技法的示范。多年以來(lái)，馬泉先生相繼創(chuàng)作了許多幅“紅樓夢(mèng)”文學(xué)作品的創(chuàng)作，如工筆巨幅《秋爽齋》、《春暮幽思》等，尤以《聽(tīng)琴》一畫(huà)耐人尋味。在深入革命根據(jù)地延安、井岡山后，創(chuàng)作了《育新人》、《雨露滋潤(rùn)禾苗壯》、《中流砥柱》、《晚歸》、《桑弘羊》等作品。
After the "Cultural Revolution", Ma Quan ushered in the peak of his creation. In the 10 years since 1987, he has participated in 140 national, Beijing and overseas art exhibitions and created thousands of works "The Chinese people stand up", "spring in Zhongnanhai" and "according to the great strategic deployment" are more creative themes reflecting heroes and models and their advanced achievements in ordinary posts. In 1986 and 1988, Mr. Ma visited the United States twice on invitation. He lectured at the City University of New York and pish University. He also held a personal exhibition of poetry, calligraphy and painting in San Francisco. He also publicized and introduced the development history and characteristics of Chinese national painting art in the "Star Island Daily", "North America times", "China Daily" and "Chinese artists forum" in New York. And in New York "Auburn loan library" made a demonstration of traditional Chinese painting meticulous painting techniques. Over the years, Mr. Ma Quan has created many "dream of Red Mansions" literary works, such as the meticulous giant "autumn shuangzhai" and "spring dusk Yousi", especially the "listening to the piano" is thought-provoking. After going deep into the revolutionary base areas of Yan'an and Jinggangshan, he created works such as "educating new people", "rain and dew moistening seedlings and Zhuang", "mainstay", "returning late", "sanghongyang".
馬泉先生在積極反映現(xiàn)實(shí)的同時(shí)，還創(chuàng)作了大量歷史題材的作品。“李白”、“杜甫”、“白居易”、“李清照”、“李自成”、“于成龍”、“林則徐”等，巨幅作品有“河間大捷”及《黃河之水天上來(lái)》，該畫(huà)在中國(guó)美術(shù)館、日本東京展出時(shí)，令許多觀眾嘆為觀止。此外還有為書(shū)刊，課本等繪制的插圖上百幅。近兩年來(lái)，他正精心創(chuàng)作《水滸白描人物長(zhǎng)卷》，借表達(dá)古典文學(xué)中的不屈不撓的英雄行徑，來(lái)抒發(fā)拼搏、進(jìn)取和浩然正氣的中華精神。馬泉先生前后參加全國(guó)、省市級(jí)以上畫(huà)展三百多次，并多次獲金、銀、銅獎(jiǎng)，多次舉辦個(gè)人畫(huà)展。作品被國(guó)外藝術(shù)館、博物館、紀(jì)念館200多處收藏。
Mr. Ma Quan not only reflects the reality, but also creates a large number of historical works. "Li Bai", "Du Fu", "Bai Juyi", "Li Qingzhao", "Li Zicheng", "Yu Chenglong" and "Lin Zexu", etc. the giant works include "the great victory between the rivers" and "the water of the Yellow River comes from the sky". When the painting was exhibited in the Chinese Art Museum and Tokyo, Japan, many audiences were amazed. In addition, there are hundreds of illustrations for books, magazines, textbooks, etc. In the past two years, he has been elaborately creating the long volume of Water Margin's line drawing characters, which expresses the indomitable heroic behavior in classical literature to express the Chinese spirit of struggle, enterprising and noble and upright spirit. Mr. Ma Quan has participated in more than 300 national, provincial and municipal art exhibitions. He has won gold, silver and bronze awards for many times, and has held many individual art exhibitions. His works have been collected in more than 200 foreign art museums, museums and memorials.
馬泉先生精于書(shū)法，無(wú)論真、草、隸、篆，皆能信手捏來(lái)，并且極其瀟灑。馬先生在畫(huà)作上題字，不但言簡(jiǎn)意賅，而且更具功力。在他的一張兩米長(zhǎng)的畫(huà)作上題字，從頭到底，漂亮的文字排成一條豎線，筆直不彎。馬先生的篆字極見(jiàn)功夫，用刀剛?cè)岵?jì)，章法疏密有致，在雄渾中透者清新秀麗，不求狂怪，只求平樸，可以說(shuō)馬先生的作品顯示出了古雅風(fēng)韻。
Mr. Ma Quan is good at calligraphy. He can make all kinds of calligraphy, such as Zhen, Cao, Li and Zhuan, and he is very natural and unrestrained. Mr. Ma's inscriptions on his paintings are not only concise and comprehensive, but also more powerful. In one of his two meter long painting, inscription, from the beginning to the end, beautiful text arranged in a vertical line, straight and straight. Mr. Ma's seal characters are very Kung Fu. He uses both hardness and softness with his knife. His composition is dense and delicate. He is fresh and beautiful in his vigour. He does not seek madness and strangeness, but is plain and simple. It can be said that Mr. Ma's works show ancient elegance.
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