大宋王朝建立，太祖趙匡胤苦于五代亂世，政權更換頻繁，天下紛爭，聽程普諫議，杯酒釋兵權，開啟了文治時代，至徽宗趙佶時期，天下太平，社會經濟空前繁榮。而有宋以來，重視文治，社會文化得到大力發展，宋理學，道學思想此時也備受推崇。這一切，為汝窯瓷器的產生發展奠定了社會經濟文化基礎。
After the establishment of the great Song Dynasty, the great ancestor Zhao Kuangyin suffered from the turbulent times of the Five Dynasties. With frequent changes of political power and disputes in the world, he listened to Cheng Pu's admonition and released his military power by drinking wine, which opened the era of civil administration. To the period of Zhao Ji, Huizong, the world was peaceful and the social economy was unprecedentedly prosperous. Since the Song Dynasty, it has attached great importance to the rule of culture, social culture has been greatly developed, and the Neo Confucianism and Taoism in Song Dynasty are also highly respected. All these laid the foundation of social economy and culture for the emergence and development of Ru kiln porcelain.
此時的皇帝徽宗趙佶，雖從歷史角度看是個治國無能的皇帝，但從文化藝術角度看，一點也不遜色，他在道學、繪畫方面有極高的造詣，當然也有極高的審美情趣，他認為定窯瓷器“有芒，不堪用”，遂用汝瓷，汝窯瓷器也因其極富審美形象走進了皇家殿宇。
Zhao Ji, Emperor Huizong at that time, was an incompetent emperor in terms of history, but from the perspective of culture and art, he was not inferior at all. He had extremely high attainments in Taoism and painting, and of course, he also had a high aesthetic taste. He thought that Ding kiln porcelain was "awn and unfit for use", so he used Ru porcelain, which also entered the Royal Palace because of its rich aesthetic image.
汝窯自此走向了它的輝煌期，由汝州選能工巧匠，至京師汴京，另立皇家新窯，同工同料，日夜為宮內生產，所產瓷器，一經出窯，唯任宮內挑選，剩余者，方可流落民間，當然此“民間”非達官貴人莫屬，普通老百姓是無緣得其一片了。
From then on, Ru kiln went to its glorious period. From the selection of craftsmen in Ruzhou to Bianjing, the capital, a new royal kiln was set up. With the same work and materials, the porcelain produced in the palace was produced day and night. Once it was released from the kiln, it was only selected by the Imperial Palace, and the rest could be exiled to the people. Of course, the "folk" were only officials and nobles, and ordinary people were not entitled to one of them.
汝窯瓷器，上承五代，開啟青瓷的輝煌，五代時周世宗對青瓷是極其偏愛的，他的“雨過天晴云破處，者般顏色做將來”的要求，同樣被宋徽宗所推廣，所以汝窯瓷有“青如天，面如玉”之譽。汝窯瓷一般為低溫燒成，溫度在1150度左右，反復施釉，釉層肥厚，所以出窯后，冷熱驟變，胎釉膨脹系數不同，而產生裂紋，如蟹爪、如蟬衣。北宋汝窯瓷器是柴燒，提溫過程是緩慢逐步提溫的，所以釉層內水氣揮發較干凈，殘留氣泡較少，出窯后，不多的氣泡廖若晨星，更具情趣。汝窯瓷器為追求至上完美，所有汝瓷都是掛滿釉，為了克服燒制時的粘貼問題，匠人創造性的用支釘支燒，所以汝窯瓷器底足都有三、五個支釘，支釘細小如芝麻粒。汝窯瓷燒制皇家用瓷，不惜工本，釉料里加入瑪瑙細粉，以使釉色更完美，由于是低溫燒制，釉料沒完全溶化融合，有些地方甚至出現細小瑪瑙斑點，這些不同釉料，拆射反光波段不一，使汝器產生不同的光學美感，如雨后霓虹、如晴空晚霞，變幻莫測，美不可言，底釉的光學效果更是深秘，迎光看似一泓秋水，水光漣滟，使人心曠神怡，這就是著名的“隨光變色、無中生有”了。
Ru kiln porcelain, inherited from Five Dynasties, opened the glory of celadon. In the Five Dynasties, Zhou Shizong had a great preference for celadon. His requirement of "clear sky after rain, break through clouds, the same color as the future" was also promoted by Emperor Huizong of Song Dynasty. Therefore, Ru kiln porcelain has the reputation of "as green as the sky, as jade as the face". Ru kiln porcelain is usually fired at a low temperature. The temperature is about 1150 degrees. After repeated application of glaze, the glaze layer becomes thick. Therefore, after it comes out of the kiln, the heat and cold suddenly change, and the expansion coefficient of the body glaze is different, resulting in cracks, such as crab claws and cicada clothes. In the Northern Song Dynasty, Ru kiln porcelain was fired with firewood, and the temperature rising process was slow and gradual. Therefore, the water vapor in the glaze layer evaporated more cleanly and the residual bubbles were less. After leaving the kiln, the few bubbles were more interesting. In order to pursue perfection, all Ru porcelains are covered with glaze. In order to overcome the sticking problem during firing, the craftsmen creatively use the supporting nails to support the firing. Therefore, there are three or five supporting nails at the bottom of Ru kiln porcelain, which are as small as sesame seeds. Ru kiln porcelain firing Royal Porcelain, sparing no effort, adding agate powder into the glaze to make the glaze more perfect. Due to the low-temperature firing, the glaze has not completely melted and fused, and there are even small agate spots in some places. These different glazes have different reflection bands, which make your wares produce different optical aesthetic feeling, such as neon after rain, as bright sky and sunset, unpredictable and beautiful The optical effect of the underglaze is more mysterious. It looks like an autumn water to meet the light, and the water light is rippling, which makes people relaxed and happy. This is the famous "changing color with light, creating something out of nothing".
總之欣賞汝瓷，要深入了解宋史，深入研究北宋社會、經濟、文化生活的方方面面，通過一尊汝器，折射的是北宋人理性的禪意品味與天人合一的理想追求，“青如天、面如玉、蟬衣紋、晨星稀、芝麻支釘釉滿足”、和“隨光變色”的神秘現象，，把人們帶進千年前那個“清明上河圖”所描繪的理想生活，如一杯老酒，需慢慢細品。
In short, to appreciate Ru porcelain, we should have a deep understanding of the history of the Song Dynasty, and deeply study all aspects of social, economic and cultural life in the Northern Song Dynasty. Through a statue of Ru ware, we can reflect the rational Zen taste of the people in the Northern Song Dynasty and the ideal pursuit of the unity of heaven and man The ideal life described in the previous "Qingming Riverside painting" is like a cup of old wine, which needs to be tasted slowly.
汝窯雙獸耳三足鼎。此鼎三足鼎立，器底留有三枚支釘痕，釉層薄而瑩潤，釉泡稀疏，有“寥若晨星”之稱 釉面有細小的紋片。釉色清純溫柔，造型周正雅致。是北宋汝窯的典型器物之一。汝窯起燒于北宋哲宗元佑元年（1086年），停燒于崇寧五年（1106年），僅存世短瞬的20年，是五大名窯中燒瓷時間最短的一個瓷窯，自古有“家財萬貫，不如汝瓷一片“之說，擁有一件汝窯瓷器，歷來是多少人為之的夢寐以求的奢望，也是世界各地博物館的鎮館之寶。可見，北宋汝窯雙獸耳三足鼎就更顯珍稀了。極具收藏價值！
Ruyao double animal ear tripod. The tripod stands on three legs. There are three nail marks on the bottom of the tripod. The glaze layer is thin and smooth, and the glaze bubbles are sparse. It is called "rare as the morning star". The glaze surface has small patterns. The glaze is pure and gentle, and the shape is elegant. It is one of the typical artifacts of Ru kiln in Northern Song Dynasty. Ru kiln was started in 1086 and stopped in 1106, the first year of Zhuzong Yuanyou of the Northern Song Dynasty. It has been only 20 years since its existence. It has been said that "a piece of Ru porcelain is better than a fortune". Owning a piece of Ru kiln porcelain has always been the dream of many people, and it is also the treasure of museums all over the world 。 It can be seen that the double animal ear tripod tripod of Ru kiln in Northern Song Dynasty is more rare. Great collection value!
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