古往今來，我國都是世界上最著名的瓷器大國，纏枝花卉斗彩瓷器、青花釉里紅瓷、青花瓷、祭紅釉等聞名于世，一定程度上促進(jìn)了人類文明進(jìn)步，是中華民族偉大而優(yōu)秀的傳統(tǒng)文化，是世界瓷器的里程碑。尤其是祭紅釉工藝的開發(fā)，讓我國的陶瓷技術(shù)帶來質(zhì)的飛躍。
From ancient times to the present, China is the most famous porcelain country in the world. It is well-known for its twinkling flowers, blue and white underglaze red porcelain, blue and white porcelain and sacrificial red glaze. To a certain extent, it has promoted the progress of human civilization. It is a great and excellent traditional culture of the Chinese nation and a milestone of the world's porcelain ware. In particular, the development of sacrificial red glaze technology has brought a qualitative leap in China's ceramic technology.
祭紅釉葫蘆瓶，整器呈葫蘆形，中間有束腰，上下部分鼓起，因“葫蘆”諧音“福祿”，且器形像“吉”字，寓意大吉大利。藏品胎比較致密，有清嘉慶年間瓷器風(fēng)格特征，造型古樸傳神，線條自然流暢，端莊秀美。整器施祭紅釉，釉色深沉瑩潤，釉中無龜裂紋理，不甚透明，不流釉，不脫口，不開片。色澤暗紅凝練，通體光素，清麗秀雅，別具韻味，是瓷器中的精品，再加上葫蘆器型的吉祥寓意，使得其具有獨(dú)特的價(jià)值意義，值得收藏。
The red glaze gourd vase is shaped like a gourd with a waist tied in the middle. The upper and lower parts are bulging. Because "gourd" is homophonic to "Fulu", and the shape of the vase is like the word "auspicious", which means good luck and good luck. The collection body is relatively dense, with the characteristics of porcelain style in the Jiaqing period of Qing Dynasty. The shape is simple and vivid, the lines are natural and smooth, and the appearance is dignified and beautiful. The whole ware is decorated with sacrificial red glaze. The glaze color is deep and lustrous. There is no crack texture in the glaze. It is not very transparent. It does not flow glaze, does not peel off or split. It is dark red and concise in color, pure and beautiful, with unique charm. It is a high-quality porcelain. With the auspicious implication of gourd shaped utensils, it has a unique value and is worth collecting.
祭紅是景德鎮(zhèn)的陶工在明宣德時(shí)期創(chuàng)燒的著名紅釉品種，它是以銅為著色劑，生坯上釉，置于還原焰氣氛中，在1250℃-1280℃溫度下一次燒成。祭紅色澤深沉穩(wěn)定，不流釉不脫口，釉面也罕有龜裂紋理，釉色似初凝的雞血，深沉安定，瑩潤均勻，釉中無龜裂紋理，因祭紅器作祭祀郊?jí)茫拭?/p>
Jihong is a famous red glaze created by Jingdezhen potters in the Xuande period of the Ming Dynasty. It uses copper as the colorant, glazes the green body, and is fired at 1250 ℃ - 1280 ℃ in reducing flame atmosphere. The color of the sacrificial red color is deep and stable. It does not flow and the glaze doesn't fall off. The glaze is also rarely cracked. The color of the glaze is like the initial set of chicken blood. It is deep and stable, and the luster is even. There is no cracking texture in the glaze. Because the red sacrificial ware is used for sacrificing to the suburban altar, it is named.
祭紅始創(chuàng)于明永樂、宣德年間。在古時(shí)皇室常以它作祭器，人們在配制祭紅釉料時(shí)，往往將黃金、珊瑚、瑪瑙、玉石等珍貴之物摻入釉料中，真可謂不惜工本。即使這樣，也往往燒制不出好的成品。由于祭紅釉瓷器歷來難燒，因此它比其它色釉更為名貴。河南的鈞瓷有“十窯九不成”的說法，表明紅釉是一種極難掌握的燒成技術(shù)。而景德鎮(zhèn)的祭紅比鈞紅還要難燒得多，按民間的說法，叫“千窯一寶”，也就是上百爐的窯火中，才能得到一、兩件祭紅。
It was founded in Yongle and Xuande years of Ming Dynasty. In ancient times, the royal family often used it as a sacrificial utensil. When people prepared red glaze, they often mixed gold, coral, agate, jade and other precious things into the glaze, which can be described as sparing no expense. Even so, it is often difficult to produce a good finished product. Because the red glaze porcelain has always been difficult to burn, it is more valuable than other colored glaze. There is a saying that "nine out of ten kilns" is used in Jun porcelain in Henan Province, which indicates that red glaze is a very difficult firing technique to master. Jingdezhen's sacrificial red is much more difficult to burn than Jun red. According to the folk saying, it is called "thousand kilns and one treasure". That is to say, one or two pieces of sacrificial red wine can be obtained from hundreds of kilns.
祭紅釉瓷器具有強(qiáng)烈的美學(xué)效果和時(shí)代風(fēng)格。在中國陶瓷史上留下極為艷麗且無法磨滅的一筆。雖然祭紅釉極為瑰美，但是由于極高的燒制難度注定了成品成功率太低，故此每成一件必屬精品。在古代一般只有皇室或富商才有機(jī)會(huì)擁有，所以存世量極為稀少，珍貴無比，收藏價(jià)值極高！在如今的收藏市場上，祭紅釉瓷器價(jià)格平穩(wěn)上升，每年約有25%成長，具有難以言喻的收藏投資價(jià)值。
Sacrificial red glazed porcelain has a strong aesthetic effect and style of the times. In the history of Chinese ceramics, it has left a brilliant and indelible mark. Although the sacrificial red glaze is very beautiful, due to the extremely high firing difficulty, the success rate of finished products is too low, so every piece must be a fine product. In ancient times, only the royal family or rich merchants had the chance to own it. Therefore, the amount of life is extremely rare, extremely precious, and the collection value is very high! In today's collection market, the price of sacrificial red glazed porcelain is rising steadily, with an annual growth rate of about 25%, which has an indescribable investment value in collection.
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