越窯是中國(guó)古代南方著名的青瓷窯，漢族傳統(tǒng)制瓷工藝的珍品之一。窯所在地主要在今浙江省上虞、余姚、慈溪、寧波等地。生產(chǎn)年代自東漢至宋。發(fā)展至唐朝越窯工藝最精湛時(shí)期，居全國(guó)之冠。唐朝是中國(guó)古代前所未有的開放，各民族文化首次大規(guī)模的融合，在當(dāng)時(shí)有飲茶、詩(shī)文、音律風(fēng)尚，其對(duì)越窯的影響很大，其瓷質(zhì)造型，釉色之美，深受文人墨客的喜愛。
Yue Kiln is a famous celadon kiln in the south of China in ancient times. It is one of the treasures of traditional porcelain making technology of Han nationality. The kilns are mainly located in Shangyu, Yuyao, Cixi, Ningbo, etc. It was produced from the Eastern Han Dynasty to the Song Dynasty. The development of Yue Kiln in Tang Dynasty is the most exquisite period, ranking the first in China. The Tang Dynasty was an unprecedented opening in ancient China, and the first large-scale integration of various ethnic cultures. At that time, there were tea drinking, poetry, and temperament, which had a great impact on Yue Kiln. Its porcelain shape and glaze color were deeply loved by literati.
在唐、五代十國(guó)時(shí)期，越窯青瓷，個(gè)別也稱“秘色窯”。在越州境內(nèi)(今浙江慈溪上林湖濱湖地區(qū))，故名。其所燒青瓷代表了當(dāng)時(shí)青瓷的最高水平。發(fā)現(xiàn)窯址已達(dá)二三十處，以鱉唇山東晉時(shí)期遺址最早。顏況“越泥似玉之甄”，許渾“越甄秋水澄”，皮日休“邢人與越人，皆能造瓷器，圓似月魂墮，輕如云魄起”，陸龜蒙“九秋風(fēng)露越窯開，奪得千峰翠色來(lái)”等，皆為文人雅客對(duì)越窯的頌喻。五代吳越時(shí)越窯瓷器已“臣庶不得用”，作為吳越王錢氏御用及貢品。進(jìn)貢瓷器動(dòng)輒萬(wàn)件；入宋以后，貢瓷數(shù)量有增無(wú)已，一次進(jìn)貢有多達(dá)十四萬(wàn)件者。越窯在南方浙江省紹興，主要制造青瓷；邢窯在北方河北省邢臺(tái)，主要制造白瓷。越窯的青瓷明徹如冰，晶瑩溫潤(rùn)如玉，色澤是青中帶綠與茶青色相近。
In Tang, Five Dynasties and ten states period, Yue Kiln celadon, also known as "secret color kiln". In Yuezhou territory (today's Zhejiang Cixi Shanglin lake area), hence the name. Its celadon represents the highest level of celadon at that time. Twenty or thirty kiln sites have been found, the earliest of which was biezui in the Jin Dynasty. Yan Kuang's "more mud like jade's Zhen", Xu Hun's "more Zhen's autumn water's clear", PI Rixiu's "both Xing people and Yue people can make porcelain, round as the moon's soul falls, as light as the cloud's soul rises", Lu guimeng's "nine autumn wind and dew, Yue Kiln's opening, winning thousand peaks of green color", etc., are all eulogized by literati's elegant guest. During the Five Dynasties of Wu and Yue, Yue Kiln porcelain had been "forbidden to be used by officials and common people", and was used as a tribute by Qian's family, the king of Wu and Yue. After the Song Dynasty, the number of tribute porcelains increased, with as many as 140000 pieces at a time. Yue Kiln mainly made celadon in Shaoxing, Zhejiang Province in the south, while Xingtai kiln in northern Hebei Province mainly made white porcelain. The Celadon of Yue Kiln is as clear as ice, crystal clear and warm as jade. Its color is green with green, similar to tea blue.
筆洗是一種傳統(tǒng)工藝品，屬于文房四寶筆、墨、紙、硯之外的一種文房用具，是用來(lái)盛水洗筆的器皿，以形制乖巧、種類繁多、雅致精美而廣受青睞，傳世的筆洗中，有很多是藝術(shù)珍品。筆洗有很多種質(zhì)地，包括瓷、玉、瑪瑙、琺瑯、象牙和犀角等，基本都屬于名貴材質(zhì)。
Brush washing is a kind of traditional handicraft, which belongs to a kind of stationery utensil besides the four treasures of the study pen, ink, paper and inkstone. It is used to hold water for washing pens. It is widely favored for its clever shape, various types, elegant and exquisite. Among the handed down brush washing, many of them are art treasures. There are many varieties of brush washing, including porcelain, jade, agate, enamel, ivory and rhinoceros horn, which are basically precious materials.
此唐代越窯青釉筆洗圓口內(nèi)斂，弧腹，平底，色澤青釉，造型古樸，工藝線條典雅，釉色具越窯特征，器型有唐代風(fēng)格，其獨(dú)特的造型在當(dāng)時(shí)應(yīng)也是獨(dú)具一格，其未來(lái)升值空間巨大，是不可多得一件藏品。
The blue glaze of Yue Kiln in Tang Dynasty is characterized by simple shape, elegant craft line, and Tang style. Its unique shape is unique at that time. Its future appreciation space is huge, and it is a rare collection.
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