中國(guó)從漢代燒制出現(xiàn)代意義的瓷胎后，瓷器生產(chǎn)代代出作品，在數(shù)千年演義出的古陶瓷之謎中，元青花之謎語(yǔ)恐怕是最不可思議的。作為當(dāng)今無可爭(zhēng)議的國(guó)寶級(jí)文物，元青花在中國(guó)六百多年來，無歷史可及。這也是相關(guān)爭(zhēng)議存在的歷史原因。至今，文博界的專家對(duì)于元青花有一個(gè)比較定性的認(rèn)識(shí)，就是全世界只有三百件元青花。都在博物館。而民間收藏界則認(rèn)為，中國(guó)民間有元青花，其數(shù)量和質(zhì)量甚至可以于世界博物館及國(guó)家博物館收藏的甚至還多。元青花官民之爭(zhēng)似乎已經(jīng)超越了學(xué)術(shù)范疇。
After China fired porcelain bodies of modern significance from the Han Dynasty, porcelain production took the place of works. Among the riddles of ancient ceramics produced over thousands of years, the riddle of blue and white in Yuan Dynasty is probably the most incredible. As an indisputable national treasure, blue and white Yuan Dynasty has no history in China for more than 600 years. This is also the historical reason for the existence of relevant disputes. So far, experts in the cultural and cultural circles have a more qualitative understanding of Yuan blue and white, that is, there are only 300 pieces of Yuan blue and white in the world. It's all in the museum. However, the folk collectors believe that there are blue and white Yuan Dynasty among Chinese people, whose quantity and quality can be even more than those collected by world museums and national museums. The dispute between the officials and the people in the blue and white dynasties of the Yuan Dynasty seems to have gone beyond the academic category.
人們把元青花瓷比做瓷器舞臺(tái)的青衣，素雅高潔、色藍(lán)純凈，這是一種用估料在瓷胎上作畫，蓋上透明釉，在高溫下一次燒成的釉下彩瓷器，藍(lán)色的花紋與潔白胎體互相映襯，宛若一幅傳統(tǒng)的水墨畫。江西景德鎮(zhèn)生產(chǎn)的元青花自元朝至正年間，工藝臻于成熟，成為我國(guó)制瓷工業(yè)劃時(shí)代的世界。開辟了由素瓷向彩瓷過渡的新時(shí)代。
People compare the blue and white porcelain of Yuan Dynasty to the blue and white clothes on the porcelain stage. They are elegant, elegant and pure blue. This is a kind of underglaze color porcelain which is painted on the porcelain body with transparent glaze and fired at a high temperature. The blue patterns and the white matrix set off each other, just like a traditional water ink painting. From Yuan Dynasty to Zhengzheng period, the technology of Yuan blue and white produced in Jingdezhen, Jiangxi Province, has become an epoch-making world in China's porcelain industry. It opened up a new era of transition from plain porcelain to color porcelain.
元青花是我國(guó)歷史上中的一塊瑰寶，同時(shí)也是收藏投資家們趨之若鶩的收藏品種，研究元青花和認(rèn)識(shí)元青花對(duì)廣大收藏愛好者來說都有著非常重要的意義。
Yuan blue and white is a treasure in the history of our country, and it is also a kind of collection that investors are eager to collect. It is of great significance to study and understand yuan blue and white for the majority of collectors.
胎質(zhì)潔白細(xì)密，青花呈色穩(wěn)定，白釉純凈，透明度極高，青花系用進(jìn)口蘇泥勃青料。無蓋，小口，口沿平厚，頸短而細(xì)，平肩，肩以下收斂，脛部瘦長(zhǎng)，近底部外撇，平底。造型端莊挺秀，腹部繪制“蕭何月下追韓信”歷史故事，蕭何、韓信和艄公的形象繪制的富有個(gè)性，并以松、竹、梅、芭蕉、山石為背景，形象生動(dòng)地展開了一幅歷史畫卷。是元末明初青花瓷器中的精粹之作。
White and fine, blue and white color stable, white glaze pure, high transparency, blue and white series with imported Su Ni Bo blue material. It has no cover, small mouth, flat and thick mouth edge, short and thin neck, flat shoulder, convergence below shoulder, slender tibia, leaning out near the bottom, flat bottom. The image of Xiao He, Han Xin and the boatman are full of personality. The background of pine, bamboo, plum, plantain, and rocks unfolds a historical picture vividly. It is a masterpiece of blue and white porcelain from the end of Yuan Dynasty to the beginning of Ming Dynasty.
其主題圖案取材于《史記》中“蕭何月下追韓信”的歷史典故。畫面正中的蕭何，頭戴管帽，須髯飄揚(yáng)，正策馬揚(yáng)鞭追韓信，一副焦急的樣子，韓信則牽馬前行，垂袖沉思河岸邊，顯示出躊躇不定的的樣子，河中有一葉輕舟，船家持漿站立于船頭，正微笑著招呼客人上船。
Its theme pattern is based on the historical allusion of "Xiao He chasing Han Xin under the moon" in "historical records". In the middle of the picture, Xiao He, wearing a pipe cap and flying beard, is riding his horse to chase Han Xin with a look of anxiety. Han Xin leads his horse forward, droops his sleeves and meditates on the riverbank, showing an indecisive look. In the middle of the river, there is a small boat. The boatman stands at the bow of the boat with oars and is smiling to greet the guests to get on the boat.
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