連年有余字畫
朱玉清,1962 年生,安徽蕪湖人,著名畫家,安徽省美術家協會會員,中國國畫家協會會員、理事,蕪湖市美術家協會會員、理事,國家一級美術師。朱玉清的中國畫藝術造詣,深刻體現在山水畫與人物畫兩個方面。他在繪畫技法和精神上,領會并傳承張大千的藝術體系,無論是山水畫來還是人物畫,其形態和品質皆歸宗于影響深遠的張大千畫派。得一派之績,可謂功成名就。當然,朱玉清畫績能歸大千一派,不是憑空而得,完全是專修而成。朱玉清對繪畫藝術相當癡迷,愛之深厚,這種修藝心態,恰好切合張大千畫派藝術筑基時段的實踐需求:需依對繪畫藝術的癡迷之心,傾量臨摹唐、宋、元、明、清山水人物名畫,通過臨習而得博采眾長,悟透大家的藝術實踐。
Zhu Yuqing, born in 1962 in Wuhu, Anhui Province, is a famous painter. He is a member of Anhui Artists Association, a member and director of China National Artists Association, a member and director of Wuhu Artists Association, and a national first-class artist. Zhu Yuqing's artistic attainments of Chinese painting are deeply reflected in landscape painting and figure painting. In his painting techniques and spirit, he understood and inherited Zhang Daqian's art system. Whether landscape painting or figure painting, its form and quality belong to the far-reaching Zhang Daqian School of painting. It can be said that he has made great achievements in the school. Of course, Zhu Yuqing's painting achievements can be attributed to the daqianyi school, not out of thin air. Zhu Yuqing is very obsessed with painting art and loves it deeply. This kind of cultivation mentality is just in line with the practical needs of Zhang Daqian's painting school in the period of foundation building. He needs to copy the famous landscape paintings of Tang, song, yuan, Ming and Qing Dynasties according to his infatuation with painting art, so as to learn from others' strong points and understand everyone's art practice.
連年有余是由蓮花和鯉魚組成的中國傳統的吉祥圖案,用以稱頌富裕祝賀之意。蓮是連的諧音,年是鯰的諧音,魚是余的諧音,也稱年年有魚。每年春節,人們都會祭祀活鯉魚,晚上吃芋(魚)頭,以顯示來年的豐收。做餃子的時候,會留下很多餡來顯示明年的財政盈余。自古以來,它不僅在普通人中普遍存在,而且在各達官顯貴和富商紳士中也普遍存在。古代吉祥圖案。主要以鯰魚作成裝飾紋樣,寓意“連(蓮。連同音)年(鯰。年同音)有余(魚、余同音)”。在歷代的各種裝飾上常見應用。
More than one year is a traditional Chinese auspicious pattern composed of lotus and carp to celebrate the meaning of wealth. Lotus is the homophony of Lian, Nian is the homophony of catfish, and fish is the homophony of Yu, also known as the annual fish. Every Spring Festival, people will sacrifice live carp, eat taro (FISH) head in the evening, to show the next year's harvest. When making dumplings, a lot of stuffing will be left to show the fiscal surplus next year. Since ancient times, it is not only common in ordinary people, but also in high-ranking officials and rich merchants and gentlemen. Ancient auspicious patterns. Catfish is mainly used as decorative patterns, which means "Lian (Lotus). (homophonic) year (catfish). (homonym of year) Youyu (fish, Yu homonym) ". It has been widely used in various decorations in the past dynasties.
此畫繪畫技法:荷葉墨青分染荷葉,正葉留雙水線,反葉留單水線。荷花用牡丹紅分染花瓣根部,花心深處用藤黃+朱膘分染,薄涂多遍。大蓮蓬赭綠+墨分染,鯉魚刻畫細致入微,各部位非常協調。統染墨青點染葉子正面和反面的肌理,肌理做到了聚散大小濃淡協調。荷花花瓣根部用牡丹紅+花青繼續分染,統染暗部,極具立體感,反瓣濃牡丹紅分染筋脈,花心顏色和蓮蓬分染,每一步細節均滿意為止。點蕊聚散有致,飄逸靈動。紅色鯉魚藤黃統染,魚鱗根部濃色勾鱗,點出了魚線,重墨點睛。黑魚罩染藤黃。堪稱精美,值得珍藏。
The painting technique of this painting is: the lotus leaves are dyed with ink and green, the positive leaves are left with double water lines, and the reverse leaves are left with single water lines. Lotus petal root was dyed with peony red, and the deep part of the flower was dyed with gamboge yellow and red fat, thin coated for many times. The lotus pods were dyed with ochre green and ink, and the carp were depicted in detail, and the parts were very harmonious. The texture of the front and back of the leaf was dyed with black green, and the texture was in harmony with the size, thickness and shade. The lotus petal root is dyed with peony red and cyan, and the dark part is dyed uniformly, which is very three-dimensional. The back petal thick peony red is used to separate the tendons and veins, the flower center color and the lotus seed are separately dyed, until the details are satisfied. Point pistil gathering and dispersing, elegant and flexible. Red carp vine yellow dye, fish scale root thick color hook scale, point out the fish line, heavy ink highlights. Black fish covered with gamboge. It can be called exquisite and worth collecting.
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