【藏品類別】：瓷器
[collection type]: porcelain
【藏品數量】：一件
[collection quantity]: one piece
【藏品落款】：大清光緒年制款
[signature of collection]: made in GuangXu year of Qing Dynasty
在中國古代瓷器的發展中，瓷器的釉色和花色一直是隨著整個社會的人們的審美情趣和國家的發展，而逐步體現出來的。一個朝代越強盛，他的瓷器造型也雍容華貴。整個社會如果是以簡樸為風，那么瓷器也表現得清新淡雅，清朝皇帝依仗著非常雄厚的國家實力，開始在使用器具上，不厭其煩的追求繁華和奢侈，在瓷器上體現出極強的奢侈之風。
In the development of China's ancient porcelain, the glaze and color of porcelain have been gradually reflected with the aesthetic taste of the whole society and the development of the country. The more powerful a dynasty is, the more elegant his porcelain is. If the style of the whole society is simple, then the porcelain also shows fresh and elegant. Relying on the very strong national strength, Emperor Qianlong began to pursue prosperity and luxury in the use of utensils, which showed a strong luxury style on porcelain.
綠地粉彩瓷是琺瑯彩之外，清宮廷又一創燒的彩瓷，早在清康熙年間，粉彩作為瓷器釉上彩繪藝術已開始了萌芽;到雍正時期，已趨成熟，并形成黃地綠地等粉彩裝飾的獨特風格;以秀麗雅致，粉潤柔和見長，這與潔白精美的瓷質分不開，它們相互襯托，相映成趣，有機地結合起來。一件精品瓷器從鑄造到傳世百年，是歷史興衰的見證，也反映了當時能工巧匠的無限智慧。目前在國內外各大拍場上，瓷器拍得高價天價已經屢見不鮮，在未來的藝術品交易市場，瓷器的上升空間仍然可觀。
As early as Kangxi period of Qing Dynasty, famille rose as an art of porcelain glaze painting. By the Yongzheng period, it became mature and formed a unique style of famille rose decoration; It is famous for its beauty, elegance, softness and softness, which is inseparable from the white and exquisite porcelain. They set off each other and become interesting and organically combined. It is a witness of the rise and fall of history and reflects the infinite wisdom of craftsmen at that time. At present, it is common for porcelain to be sold at high prices in major auction houses at home and abroad. In the future art market, the rising space of porcelain is still considerable.
本品造形典麗，胎質致密，質量精良，創思新穎，藝匠以經典纏枝梅花，配綠地花鳥紋飾，別具新意。綠釉瓷器，創燒于光緒一朝，極富當代美感。纏枝葉紋隱見歐洲洛可可風格卷草紋影響，唯深蘊中華傳統藝術基礎，既典雅，亦創新，在整個圖畫上用了這么多的裝飾性花紋，充分顯示了當時的藝術審美需求已經向繁復和奢侈靠近。這個圖畫上繪制的這些圖案，寓意著福壽吉慶，也是當時生活富裕的人所追求的一個極高的目標。
This product is classic and beautiful in shape, dense in texture, excellent in quality and novel in creativity. The craftsman uses the classic twining branches of plum blossom, with green flowers and birds ornamentation, which is unique. Green glazed porcelain, created in Qianlong Dynasty, is full of contemporary aesthetic feeling. The pattern of twigs and leaves can be seen in the influence of European Rococo style curled grass patterns. It only contains the foundation of Chinese traditional art. It is both elegant and innovative. So many decorative patterns are used in the whole picture, which fully shows that the aesthetic demand of art at that time was close to complexity and luxury. These patterns on this picture symbolize good fortune and good fortune, and they were also a very high goal pursued by the rich people at that time.
這件綠地粉彩獸耳樽，此瓶從頭項、垂肩、瓶身、以至足部、左右各飾相對饕餮紋、紋飾在每一細節和線條轉折上、都能做到如平湖鏡影般、完全想稱。陶匠的高超技藝確叫人折服。線條優美婉約，造型別致柔麗，體態輕巧，雋逸俊秀，底書“大清光緒年制”六字三行暗刻篆書款。修胎完美，胎白質細，通體施綠地粉彩釉，釉面勻凈光澤，釉汁肥腴，釉質細膩，紋飾精美，纏纏繞繞，整器器型穩重挺拔，威猛剛健，顏色明艷，搭配和諧，過度自然，非常精美。準確地表現出所繪之物的色和質感，惟妙惟肖，造型工藝更是精益求精，非常規整。綠地彩粉傳世作品保存完好至今的不多得見。本件綠地粉彩獸耳樽就是融合了這一時期各中工藝于一身的典型代表。是收藏家門可與不可求的難得珍品，具有極高的歷史文化價值！
This green pastel bottle with animal ears is decorated with gluttonous patterns on the head, shoulders, body, feet, left and right. In every detail and line transition, the design can be as beautiful as the mirror shadow of Pinghu Lake. The superb skill of the Potter is indeed admirable. The line is graceful and graceful, the shape is chic and soft, the body is light and elegant, and the bottom book is "made in GuangXu year of Qing Dynasty" with six characters and three lines. It has perfect repair, white body and fine texture. The glaze surface is even and glossy, the glaze juice is plump, the glaze is delicate, the decoration is exquisite, and the whole device is stable and straight, powerful and vigorous, bright and colorful, harmonious and natural, and very exquisite. It accurately shows the color and texture of the painting, which is lifelike, and the modeling technology is more refined and regular. It is rare to see the well preserved works of Greenland. This green pastel bottle with animal ears is a typical representative of various crafts in this period. It is a rare treasure that collectors can and can't ask for, with high historical and cultural value!
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