劉海青,國家一級美術師,張大千再傳弟子,畫風師承胡若思、李可染,中國國務外事國賓禮特供藝術家,中國當代水墨山水大家。現任文華閣國禮書畫院副院長,中國書畫藝術研究院終身研究員,中國書畫藝術研究會理事,中國華夏萬里書畫家協會理事,中華慈善總會愛心慈善大使。
Liu Haiqing, a national first-class artist and a disciple of Zhang Daqian, is a master of painting style from Hu ruosi and Li Keran, a special artist of state guest ceremony for Chinese state affairs and foreign affairs, and a great master of Chinese contemporary ink landscape. At present, he is vice president of Wenhuage Guoli calligraphy and Painting Institute, lifelong researcher of Chinese calligraphy and painting art research institute, director of Chinese calligraphy and Painting Art Research Association, director of Chinese Wanli calligraphy and Painting Artists Association, and charity Ambassador of China Charity Association.
其作品多次參展并且獲得金獎,被書畫界評為當代水墨山水馬良并得到國家領導人多次接見,代表作《長城萬里圖》《春夏秋冬四條屏》《道法自然》《鴻運當頭》《旭日東升》等作品,曾多次作為國禮贈送外國元首。其筆墨技法精妙,深得多位大師指點真傳,畫韻獨具一格,為中國當代畫壇水墨山水畫的杰出代表。
His works have participated in the exhibition for many times and won the gold medal. He has been awarded the title of contemporary ink landscape Ma Liang by the calligraphy and painting circles and received many times by the state leaders. His representative works, such as the Great Wall, four screens in spring, summer, autumn and winter, Taoism, nature, great fortune and rising sun, have been presented to foreign heads of state for many times as a state gift. His fine technique of painting and ink, deep instruction of many masters, unique charm of painting, is an outstanding representative of Chinese contemporary ink landscape painting.
2013年作作品《春山攬勝》被釣魚臺國賓館收藏；2014年作品《道法自自然》被道教協會收藏；2015年作作品《春夏秋冬》四條屏被軍事博物館收藏；2016年作作品《長城萬里展宏圖》被天安門城樓收；2017年《長城萬里》被天安門國旗護衛隊收藏；2017年被聘為榮寶齋專職畫家。
In 2013, his work "Spring Mountain Range Rover" was collected by Diaoyutai State Guesthouse; in 2014, his work "Daofa from nature" was collected by Daoist Association; in 2015, his work "spring, summer, autumn and winter" was collected by military museum; in 2016, his work "grand plan of great wall Exhibition" was collected by Tiananmen tower; in 2017, his work "Great Wall Wanli" was collected by Tiananmen national flag guard team; in 2017, he was hired as rongbaozhai special school Professional painter.
劉海青的丹青功才,在藝術之林可稱驚奇:他不但透顯文人風尚,構傳統雅致山水,一派文人情懷,觀感美雅;又能傾取民間山水藝術的精華,著意風水品質,用在濃墨重彩繪山水,直抒胸臆,金碧輝煌,氣韻動心。
Straight from the heart thick and heavy in colours, Liu Haiqing can not be surprised by his outstanding achievements: he not only displays the literary style of the people, but also constructs the traditional elegant landscape, a literary sentiment and a beautiful decoration. He can also extract the essence of Folk Landscape art, and is interested in the quality of Fengshui.
中國山水,流派眾多,但能在文人山水與民間山水兩大主體流派別中雙得真功的畫家非常少見,所以劉海青的山水品質是真正的雅俗共識,技高一等。劉海青為張大千再傳弟子,畫功又承胡若思、李可染等名家,加上自我深修的獨特藝術個性,讓他成為山水品質趨向諸派融合,再成畫壇新風的藝術領導者。
There are many schools of Chinese mountains and waters, but few painters who can achieve true results in the two main schools of literati mountains and waters and folk mountains and waters. Therefore, Liu Haiqing's quality of mountains and waters is a real consensus between refined and popular people, with a high level of skill. Liu Haiqing is a disciple of Zhang Daqian, and his painting skill is also inherited by famous artists such as Hu ruosi and Li Keran. With his unique artistic personality of self-cultivation, Liu Haiqing has become an art leader of landscape quality tending to the integration of various schools, and then a new style of painting.
從劉海青山水作品中所體現出的技發多端,融成一體的藝術水準,可以斷定劉海青不只是只付實踐的街頭畫家,更是一位心潛書房的畫理研究者。實踐與理論雙修的藝術能力,在當下畫壇已經少見,以至畫家不事理論,理論家不操筆墨。能做深刻的畫論研究,又有卓著的畫績實功,讓劉海青的藝術修養達到了理論實踐統一的高度,觀觀賞他的作品可得立言與行的和諸統一感受,畫畫風著實深厚,不是淺筆所為。在文化品味的引領下,觀觀賞者可入劉海青的筆墨意境,能看到山水奇彩,又可悟得山水精神神,從外到內獲得藝術觀感的快意洗禮,而而不是觀無所得,只是看熱鬧的淺淺一望。
From Liu Haiqing's artistic level of multi-faceted and integrated landscape works, it can be concluded that Liu Haiqing is not only a street painter who only pays for practice, but also a painting theory researcher who is interested in the study. The artistic ability of practice and theory is rare in the current painting world, so that painters don't do anything about theory and theorists don't use ink. Being able to do profound research on painting theory and have outstanding achievements in painting, Liu Haiqing's artistic accomplishment has reached the height of the unity of theory and practice. Viewing his works, you can get the unity of speech, action and all kinds of feelings. The painting style is really profound, not shallow. Under the guidance of cultural taste, viewers can enter Liu Haiqing's artistic conception, see the wonderful colors of mountains and rivers, and realize the spirit of mountains and rivers. They can get the happy baptism of artistic perception from the outside to the inside, instead of seeing nothing, just a simple look at the bustling.
劉海青繪山水,非常重視繼承傳統山水的筆墨表述精髓,山水品韻籍由元人畫功,逐漸深發到宋人畫韻,取南象極達北骨,以筆墨寫山水形態氣韻;以丘壑涵養山水的內質骨道,繼承元代文人的筆墨成應,達五代兩宋丘壑骨道,以兩者為體,亦為功用,把山水帯出純文人畫小眾自賞的狹隘主義,融成成民間山水的活潑與直接,畫面語言更加清楚可識,接地氣,可動大眾之心。這就是他基于傳統而新建的雅風寓俗世的山水新體系,在這個新新的體系里繪山水,意境拓展千倍,功法再進十乘!看劉海青的山水創作,總是充滿著新鮮品質,擁有蓬勃進取的力量,遙遙而趨的則是山水藝術的無限可能。
Liu Hai pays great attention to inheriting the essence of the traditional landscape painting. The landscape painting works gradually spread to the Song Dynasty, taking the South as the north, and writing the landscape style and charm with the ink. The inner bone of the mountains and rivers is cultivated by the gullies, and inheriting the ink formation of the Yuan literati, reaching the gullies and bone of the five and two Song Dynasties, both of which are the body and also the function, The landscape brings the narrow view of the pure literati painting, and becomes the liveliness and directness of the folk landscape. The language of the picture is more clear and recognizable, and it can touch the hearts of the public. This is his new landscape system based on tradition, in which the artistic conception of landscape painting is expanded thousands of times, and the skill is improved ten times! Seeing Liu Haiqing's landscape creation, it is always full of fresh quality, has the power of vigorous and enterprising, and it is the infinite possibility of landscape art in the distance.
從山水濃墨重彩大膽施用的能力上來看,劉海青對實用風水山水創作非常精通。他富有民間藝術創作智慧,山水講究五行法度。法度度醞釀其實是山水筆墨的特殊技法語言,用畫理描繪心理,用心理喚動情感,文劉海青山水畫極得心意的情感品質。他用筆墨,講究皴擦層層,筆筆行道,觀感繁密,內質空闊,形成于表,開拓于內,畫面多有中心結構,心位清楚,容易觸發觀賞者的心意開關,可使內涵得悟,風水入心奇彩奪目能動心,風水閑適最暢然。
Liu Haiqing is very proficient in practical Fengshui landscape creation from the perspective of the ability of bold application of strong colors. He is rich in folk art creation wisdom, and pays attention to the five elements in landscape. In fact, fadudu brewed is a special skill language of landscape painting. It depicts psychology with painting theory and evokes emotion with psychology. The emotional quality of Wen Liu Haiqing's landscape painting is very satisfactory. He uses strokes and ink, pays attention to texturing and wiping layers, strokes and lines, with dense appearance and wide internal quality, which is formed in the table and developed in the interior. The picture has a central structure and clear heart position, which is easy to trigger the viewer's mind switch, so that the connotation can be understood, the geomancy into the heart is brilliant and dynamic, and the geomancy is most comfortable and free.
劉海青山水畫著力于把萬物精神統成一點,外象氣象萬千,最終在筆墨的內核里堅守靜謐和諧。他把萬物的動態與心質歸靜的意識統一圏定,和諸成歸心,從而通過畫面喚起人們內心對和諧和美的熱切渴望和塑造。筆墨在心間,是劉海青山水直抵人心的藝術造化,功高需仰。
Liu Haiqing's landscape painting focuses on unifying the spirit of all things into one point. It looks like a myriad of things, and finally adheres to tranquility and harmony in the core of brush and ink. He unifies the dynamic of all things and the consciousness of calming the mind and quality, and puts them into the mind, so as to arouse people's eager desire and shaping of harmony and beauty through the pictures. The ink in the heart is the artistic creation of Liu Hai, Qingshan and Shuidao reaching the people's heart directly, whose merits need to be respected.
如對此藏品有興趣收藏者，可撥打企業聯系電話：400 686 3616進行洽談。
If you are interested in this collection, you can call 400 686 3616 for negotiation.
