啟功自幼喜愛書法，是當代負有盛名的書法家。啟功曾被稱為“詩、書、畫”三絕。此外，啟功亦精于古代書畫和碑貼的鑒定。啟功對學生遲殿寬說：“字，只要寫得好看就成了，本無法”。
Qigong is a famous calligrapher who loves calligraphy since he was young. Qigong was once called the "poem, book, painting" three unique. In addition, qigong is also good at the identification of ancient calligraphy and painting and stele stickers. Qigong said to Chi diankuan, "as long as the words are well written, they can't be.".
【藏品名稱】：啟功《珍藏海藝》
[collection name]: qigong "treasure sea art"
【交易價格】：966000RMB
[transaction price]: 966000 RMB
啟功對學生遲殿寬說：“字，只要寫得好看就成了，本無法”。他的書法作品，無論條幅、冊頁、屏聯，都能表現出優美的韻律和深遠的意境，被稱為“啟體”。書法界評論道：“不僅是書家之書，更是學者之書、詩人之書。”
Qigong said to Chi diankuan, "as long as the words are well written, they can't be.". His calligraphy works, no matter banners, albums or screen couplets, can show beautiful rhythm and profound artistic conception, which is called "Qiti". The calligraphy circle commented: "it is not only the book of calligraphers, but also the book of scholars and poets."
此幅啟功款書法，是啟功他老人家去朋友家做客時，啟功老師隨手寫的一幅字《珍海藏藝》四個字，保存至今。為啟功先生晚年書法作品。啟功先生作書，不擇硯墨，宣紙下墊幾張舊報紙，口占詩句，璣珠滿紙，章法天成，既有陽剛之氣，又有陰柔之美，具有獨特的“啟家”面貌。
This piece of Qigong calligraphy was written by Qigong teacher when he went to visit his friend's house. It has been preserved up to now. For Mr. Qigong's calligraphy in his later years. Mr. Qigong did not choose inkstone or ink for his book. He put some old newspapers under the Xuan paper. His words occupied the poem. The Ji beads were full of paper. His rules were naturally formed. He had both masculine and feminine beauty. He had a unique "Qijia" look.
啟功說，他的字沒有“芯兒”。啟功“先摹趙董后歐陽，晚愛誠懸竟體”，習慣上是“二王的用筆，歐柳的結體”，最后自成“啟體”，書界評其為“外柔內剛、自然灑脫、清雋儒雅而嫵媚華美”。
Qigong said that his words have no "core". Qigong "first imitates Zhao Dong, then Ouyang, and later loves chengxuanjing style". It is used to be "the pen of the second king, the knot of the willow". At last, it becomes "Qiti", which is praised by the book circle as "soft outside, hard inside, free and easy nature, elegant and charming".
啟功的書法外柔內剛，剛柔相濟，鐵畫銀鉤，典雅飄逸，骨骼分明，瘦勁挺拔，既有陽剛之氣，又有陰柔之美，既有魏晉風神，又有時代精神，具有獨特的“啟家”面貌，其“黃金分割法”對漢字書寫造型有獨特貢獻，書法造詣以其深厚的學養達到了時代高度。其作品具有較高的收藏價值。
Qigong's calligraphy is characterized by softness, hardness and softness, iron painting and silver hook, elegant and elegant, distinct skeleton, thin and vigorous, masculine and feminine beauty, spirit of the Wei and Jin Dynasties, and spirit of the times. Qigong's "golden section method" has a unique contribution to the Chinese character writing style, and its calligraphy attainments have reached the height of the times with its profound learning. His works have high collection value.
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