【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名 稱】： 蘇葆楨《碩果豐盛》
【藏 品 類 型】: 字畫
【藏 品 年代】： 1986年
【藏 品 信 息】: 135.1cm*69cm
[name]: Su Bao Zhen（Fruitful and fruitful）
Collection type: Calligraphy and painting
[collection date]: 1986 years
[collection information]: 135.1cm*69cm
葆楨是一位取材廣泛的花鳥畫家，猶以畫葡萄最享盛譽。他的葡萄畫用焦墨枯筆草書入畫，大寫意出藤蔓、枝干，顆顆葡萄融合了西畫色彩的特長，既充分利用生宣的浸潤性能和水、墨推拒的天然效果，又運用色彩的濃淡變化，并在葡萄中間留出高光點，這一獨特的表現手法使他筆下的葡萄水分飽滿、豐盛充盈、墨彩交輝、生動自然。墨彩交輝、氣韻生動、意境清新、雅俗共賞的藝術效果，深為廣大群眾所喜愛。
傳統畫葡萄之法，有工筆和寫意兩種，繪果實往往采用工筆，工筆即用勾勒添色和沒骨暈染，因而葡萄缺乏透明的質感，顯得死板。而寫意則體現于藤子之上，采用書法筆法，象寫篆書、行書、草書，追求筆力的縱橫于揮灑自如。徐渭、張書旂所作葡萄，重在展示藤葉的疏放與瀟灑，或是借此表露個人落拓不拘的性格，對累累果實關注較少。蘇先生關注的恰恰就是前人忽略的部分，他認為應該表現那粒粒飽滿晶瑩的淺紫色或深墨色的葡萄串展示其豐盈充實之美。蘇先生以“師造化”為起點，以“師傳統”為基石，以“師心”為終極，創造出了獨樹一幟的葡萄圖而享譽海內外。
蘇先生不拘限使用水墨畫葡萄，還運用花青、曙紅、胭脂、藤黃相調配，畫出紫色葡萄和綠色葡萄，并將紫、墨、綠三色畫出不同顏色的葡萄串，配以籃子、盤子或各色花卉，表現不同情狀下的葡萄。蘇先生對葡萄藤葉和藤本的處理，采用了書法的運筆，顯示其蒼勁有力和新鮮茂盛。
蘇葆幀畫作在其離世之后，極少在市面上流通，價值一路增高， 此幅《碩果豐盛》為蘇葆幀典型的葡萄畫作，具有很高的藝術觀賞價值和收藏價值。
Baozhen is a painter of flowers and birds with a wide range of materials. He is most famous for painting grapes. His grape paintings are written in cursive script with burnt ink, which means vines and branches in capital letters. Each grape combines the advantages of western paintings. It not only makes full use of the soakage performance of Shengxuan and the natural effect of water and ink rejection, but also makes use of the change of color density and light, and leaves a highlight in the middle of grapes. This unique expression technique makes his grapes full of water, rich and full of ink and color Bright, vivid and natural. The artistic effects of ink and color, vivid charm, fresh artistic conception and common taste are deeply loved by the masses.
There are two traditional methods of drawing grapes, meticulous and freehand brushwork. Meticulous Brushwork is often used to draw fruits. Meticulous Brushwork is to add color with outline and halo dye with bones. Therefore, grapes lack transparent texture and appear rigid. Freehand brushwork is embodied in Fuji, using calligraphy techniques, such as seal script, running script, cursive script, and the pursuit of free and easy brushwork. The grapes made by Xu Wei and Zhang Shuqi focus on the display of the release and unrestrained of rattan leaves, or on the display of the unrestrained personality of individuals, and pay less attention to the fruits. Mr. Su's attention is precisely what the
predecessors have neglected. He thinks that it should show the full and crystal light purple or dark ink grape clusters to show their rich and full beauty. Mr. Su is famous at home and abroad for his unique grape map, which is based on the "teacher's tradition" and "teacher's heart".
Mr. Su did not limit himself to using ink to draw grapes. He also used Huaqing, eosin, rouge and rattan to mix and draw purple grapes and green grapes. He also drew grape strings of different colors in three colors of purple, ink and green, with baskets, plates or flowers of different colors to show grapes in different situations. Mr. Su's treatment of grapevine leaves and vines, with the use of calligraphy, shows that it is vigorous, powerful and fresh.
After his death, Su baoframed paintings rarely circulated on the market, and their value increased all the way. This painting of "fruitful fruit" is a typical grape painting of Su baoframed, which has high artistic value and collection value.
