款乾隆粉彩仕女觀音瓶，口徑6.5cm，通高20cm，盤口束頸，豐肩圓腹，圈足為泥鰍背狀，底部施白釉，釉質(zhì)細(xì)膩，玉質(zhì)感強(qiáng)，并署礬紅“乾隆年制款”，頸部繪黃釉地粉彩纏枝牡丹，肩部飾松石綠地如意云肩，腹部繪粉彩侍女，背面行書(shū)詩(shī)文并鈐乾隆連珠印。該器高貴典雅，具有清乾隆時(shí)期的藝術(shù)特征。這種在一件器物上施多種彩或同時(shí)以各種彩繪工藝制作的乾隆粉彩，可說(shuō)是集多種陶瓷工藝成就于一身，充分反映了乾隆朝制瓷工藝的精湛。
Qianlong pastel lady goddess of mercy bottle, diameter 6.5 cm, 20 cm, Lao dish of the neck, abundant shoulder round belly, as loach circle shape, at the bottom of white glaze, enamel is exquisite, the jade feels strong, and agency alum red "qianlong year", the neck tie up painting to pastel yellow glaze peony, shoulder a hoard of greenbelt ruyi cloud shoulder, abdomen painted enamel maid, running script poems and eagle qianlong renju printed on the back. It is elegant and has the artistic characteristics of qianlong period in qing dynasty. This kind applies a variety of colour on an implement or at the same time the qianlong pink colour that makes with all sorts of coloured drawing or pattern craft, can say collect a variety of ceramic craft achievement at a suit, reflected qianlong dynasty adequately to make porcelain craft exquisite.
從乾隆開(kāi)始，粉彩在彩瓷領(lǐng)域中幾乎完全取代了五彩的地位。這時(shí)粉彩的質(zhì)量雖不如雍正時(shí)期那樣的秀麗淡雅，但在裝飾工藝上漸趨繁縟，形制上格外豐富多樣，特別是用于陳設(shè)的各種器型甚為流行。在用色和施彩的工藝方面，乾隆時(shí)期較以往有了新的發(fā)展，除以粉彩繪畫(huà)為主，還常加繪料彩、金彩或黑彩，或與青花五彩、斗彩并施于一器。
Starting from qianlong, pastel porcelain almost completely replaced multicolor in the field of colored porcelain. Although the quality of pink colour at this moment is inferior to those of yong zheng period beautiful quietly elegant, but go up in adornment craft gradually overelaborate, form makes all the more rich diversity, use at display especially all sorts of implement model is very popular. In the use of color and color technology, qianlong period than before had a new development, divided by powder color painting, also often add paint color, gold or black color, or with blue and white multicolor, doucai and applied in one.
“宮廷”這個(gè)概念則把瓷器和雜項(xiàng)融合在一起，在一定程度上既迎合了國(guó)人對(duì)帝王的崇拜心理，也更容易被買家認(rèn)識(shí)和接受。畢竟宮廷藝術(shù)集合了那個(gè)時(shí)代最好的材料、最好的工匠、最好的構(gòu)思，代表了當(dāng)時(shí)最好的工藝水準(zhǔn)。酷愛(ài)藝術(shù)的乾隆皇帝憑借盛世之昌隆，不遺余力地發(fā)展文化藝術(shù)，其藝術(shù)水準(zhǔn)與鑒賞能力代表了當(dāng)時(shí)社會(huì)的最高水平。
The concept of "palace" integrates porcelain and miscellaneous items together, which not only caters to Chinese people's worship of the emperor to some extent, but is also more easily recognized and accepted by buyers. After all, court art is a collection of the best materials, the best craftsmen, the best ideas of the time, and represents the best craftsmanship of the time. Emperor qianlong, who loved art very much, spared no effort to develop culture and art by virtue of the prosperous times. His artistic level and appreciation ability represented the highest level of the society at that time.
該瓶器型規(guī)整、構(gòu)圖嚴(yán)謹(jǐn)、繪畫(huà)精湛、施彩艷麗、胎釉緊密，是乾隆粉彩瓷的典范。縱觀近幾年藝術(shù)市場(chǎng)，明清宮廷制品一直是被眾藏家看好，其華麗的造型，精湛的工藝以及明清時(shí)期皇帝追求極致的藝術(shù)品位，使得此類藝術(shù)品成為市場(chǎng)中炙手可熱的收藏佳品。
The vase is of regular shape, precise composition, exquisite painting, gorgeous color and tight glaze. It is the model of qianlong pastel porcelain. Throughout the art market in recent years, the palace products of Ming and qing dynasties have been valued by collectors. Their gorgeous shapes, exquisite craftsmanship and the emperors' pursuit of the ultimate artistic taste in Ming and qing dynasties have made such works of art become the hottest collection in the market.
