盛世收藏精品推薦 張大千仕女圖
【藏.薦】欄 為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。Column for the collection of powerful dissemination effect to each buyer recommended by the national expert selection of art treasures, for collectors matchmaking, let thousands of art treasures value was discovered and take seriously, in the auction to clinch a deal at a high price.
【名稱】張大千仕女圖
【類別】 字畫
【規格】長：131cm 寬：66.69cm
【展示價】7500000.00CNY
[Name]Zhang daqian female figure
[Category]Calligraphy and painting
【 specification 】Length: 131cm width: 66.69cm
【 Show the price】7500000.00 CNY
張大千中國潑墨畫家，書法家。20 世紀50年代，張大千游歷世界，獲得巨大的國際聲譽，被西方藝壇贊為"東方之筆"，又被稱為“臨摹天下名畫最多的畫家”。他與二哥張善子昆仲創立"大風堂派"，是二十世紀中國畫壇最具傳奇色彩的潑墨畫工。特別在山水畫方面卓有成就。后旅居海外，畫風工寫結合，重彩、水墨融為一體，尤其是潑墨與潑彩，開創了新的藝術風格，因其詩、書、畫與齊白石、溥心畬齊名，故又并稱為"南張北齊"和"南張北溥"，名號多如牛毛。與黃君璧、溥心畬以"渡海三家"齊名。二十多歲便蓄著一把大胡子，成為張大千日后的特有標志。Zhang daqian is a Chinese splash-ink painter and calligrapher. In the 1950s, zhang daqian traveled around the world and gained a great international reputation. He was praised by the western art circle as "the Oriental pen" and also known as "the painter who copied the most famous paintings in the world". He and his second brother, zhang shanzi, founded the "fengtang school", which was the most legendary splash-ink painter in the 20th century. Especially in landscape painting achievements. After living abroad, the style of painting and writing combined, heavy color, ink, especially splash-ink and splash-color, created a new artistic style, because of its poetry, books, painting and qi baishi, pu xin she qi, so also known as "southern zhang beiqi" and "southern zhang beipu", name as much as cattle hair. She with huang junbi, pu xin she to "crossing the sea three". More than 20 years old will grow a beard, become zhang daqian in the future of the unique symbol.
張善子、張大千昆仲共同創建了大千畫派，它是中國綜合性繪畫流派之一。二十世紀20年代，張善子、張大千在上海西門路西成里“大風堂”開堂收徒，傳道授藝，所有弟子們皆被稱為“大風堂門人”。它是一個有別于“長安畫派”、“海上畫派”、“京津畫派”等唯一
墨潑彩等畫法，大風堂畫派的畫風都呈現出百花齊放的景象，是一支生生不息、代代傳承的中國畫畫派。Zhang shanzi and zhang daqian kunzhong jointly founded daqian school of painting, which is one of the comprehensive painting schools in China. In the 1920s, zhang shanzi and zhang daqian opened the "fengfeng hall" in the west of the west gate of Shanghai, collecting disciples and teaching arts. It is different from "chang 'an painting school", "sea painting school", "Beijing and tianjin painting school" and other only non-ink and color painting, the wind hall school of painting has shown a scene of a hundred flowers, is a continuous, generations of Chinese painting school.
和許多畫家一樣，張大千也同樣經歷了描摹之路。在近代像大千那樣廣泛吸收古人營養的畫家是為數不多的，他師古人、師近人、師萬物、師造化，才能達到“師心為的“的境界。他師古而
擬古，在繼承傳統文化的同時，他還想到了創新，最后在繼承傳統的基礎上發展了潑墨，創造了潑彩、潑彩墨藝術，同時還改進了國畫宣紙的質地，然而思想的先行者往往是孤獨的，特別是他臨仿石濤和八大山人的作品更是惟妙惟肖，幾近亂真，也由此邁出了他繪畫的第一步。他從清代石濤起筆，到八大山人，陳洪綬、徐渭等，進而廣涉明清諸大家，再到宋元，最后上溯到隋唐。他把歷代有代表性的畫家一一挑出，由近到遠，潛心研究。然而他對這些并不滿足，又向石窟藝術和民間藝術學習，尤其是敦煌面壁三年，臨摹了歷代壁畫，成就輝煌。這些壁畫以時間跨度論，歷經北魏、西魏、隋、唐、五代等朝代Like many painters, zhang daqian also experienced the road of painting. In modern times, there are only a few painters who have absorbed the nutrition of the ancients as widely as daqian. Only by learning from the ancients, from the neighbors, from all things and from nature can he achieve the state of "learning from the heart". He ancient while not modeled, in inheriting traditional culture at the same time, he also thought of innovation, finally, developed on the basis of inheriting traditional splash-ink splashed color, on created colors on art, but also improved the quality of traditional Chinese painting paper, however, the pioneer of ideas tend to be solitary, especially he copy over and eight in the mountain man's work is realistic, nearly denominations, which made the first step in his painting. He started from shi tao in the qing dynasty, went to the eight mountains, Chen hongshou, xu wei and so on, and then extensively covered the Ming and qing dynasties, and then to the song and yuan dynasties, and finally traced back to the sui and tang dynasties. He selected the representative painters of all dynasties one by one and studied them from near to far. However, he was not satisfied with these, and studied grottoes art and folk art, especially dunhuang face wall for three years, copying the murals of the past dynasties, achieving brilliant achievements. These murals are time-span, through the northern wei, western wei, sui, tang, five dynasties and other dynasties
張大千除了擅長山水、人物、花卉、翎毛以外，在書法方面比較欠缺，這應是他的遺憾。他早期師從清代晚期的著名書法家李瑞清、曾農髯，形成自己細秀，方平，略帶隸書味的書風，二十世紀三十年代以后，張大千先生的書法開始醞釀變化。他轉學多師，學習魏碑，《瘞鶴銘》，參以宋代大家黃山谷的筆勢，學習石濤筆法剛勁，不拘一格的書風。他的書法藝術在繼承傳統的基礎上，融合了山水畫的意境，不是一味地追求表面上的張揚外露和劍拔弩張，而是使力與感情相融合，平中求奇，使他的書法勁拔飄逸，外柔內剛，張大千筆力遒勁而秀逸的自家風格，被后人稱為“大千體”。Apart from landscape, figures, flowers and feathers, zhang daqian is not good at calligraphy, which should be his regret. In his early years, he studied under famous calligraphers li ruiqing and zeng nong beard in the late qing dynasty, forming his own fine, fangping style with a little clerical style. After the 1930s, Mr. Zhang daqian's calligraphy began to change. He transferred to many teachers, learn wei bei, "yi crane Ming", referring to the song dynasty you huang valley style, learn stone tao brush strong, not stick to one style style book. He on the basis of inheriting traditional art of calligraphy, the integration of landscape painting artistic conception, not blindly pursue to appear on the surface of the make public and tense, but to make the force and the integration of emotion, seeking, flat, his calligraphy, tall and straight and elegant velvet glove, chang saturated flourish and message of their own style, is called "whole body".
張大千是全能型書畫家，其創作達“包眾體之長，兼南北二宗之富麗”，集文人畫、作家畫、宮廷畫和民間藝術為一體。于中國畫，工筆，無所不能，無一不精。詩文真率豪放，書法勁拔飄逸、外柔內剛、獨具風采，畫意境清麗雅逸。“他才力、學養過人，于山水、人物、花卉、仕女、翎毛無所不擅，特別是在山水畫方面具有特殊的貢獻：他和當時許多畫家擔負起對清初盛行的正統派復興的責任，也就是繼承了唐、宋、元畫家的傳統，使得自乾隆之后衰弱的正統派得到中興，此副畫作更是其擅長的經典仕女圖，圖中仕女顯然取材自敦煌壁畫中艷而不俗的裝飾，美艷動人，清麗可人，配以飾物更顯高貴富麗，可以說是不可多得的精品之作，具有極高的觀賞與收藏價值。Zhang daqian is a versatile calligrapher and painter, whose creation reaches "the long range of the whole body, and the richness of the two schools in the south and the north", integrating literati painting, writer painting, palace painting and folk art into one. In Chinese painting, meticulous brushwork is omnipotent and refined. True and unconstrained, calligraphy momentum elegant, soft outside, just inside, unique style, painting artistic conception elegant yi. "His wit, educated, from landscapes, figures, flowers, ladies, and feathers are not good, especially in landscape painting has a special contribution: he and many of the artists take on the responsibility of the orthodox in the Renaissance at the beginning of the qing dynasty, namely inherited the tang, song, yuan painter tradition, weakened since qianlong orthodox get zte, this pair of paintings is their good at classic had, ladies in figure apparently drawn from the adornment of bright and not common in dunhuang murals, beautiful, beautiful but person, with its elegant decorations more can be said to be rare high-quality goods, has a very high appreciation and collection value.
此藏品為本次2019新加坡拍賣重磅推薦藏品,歡迎各位蒞臨本公司賞析及協商,廣大收藏家可以通過各大媒體以及歡迎到公司了解詳情,如需意向購買,提前辦理好相關手續過來公司協商。一件藏品的成交離不開廣告宣傳!本公司以自成立以來,始終秉承“公開,公平,公正,誠實,守信”的服務原則,相關資質齊全,做最實在的宣傳,上最高端的平臺,享受最好的服務。特別提示：（以上藏品持寶人托我司誠意出售、歡迎各界收藏家咨詢或出價，圖片均為實物拍攝，若有疑問可預約我司觀看實物）。This collection is recommended for the 2019 Singapore auction. Welcome to our company for appreciation, analysis and negotiation. General collectors can learn details through various media and welcome to our company. The deal of a collect cannot leave advertisement propaganda! Since its establishment, the company has been adhering to the service principle of "open, fair, just, honest, trustworthy", with complete relevant qualifications, to do the most practical publicity, the highest end of the platform, enjoy the best service. Special tips :(the above collection holders trust us to sell sincerely, welcome collectors from all walks of life to consult or bid, the pictures are taken in kind, if you have any questions, you can make an appointment to see the kind)
