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貴州瑞麟珍品古幣拍賣推介:紹圣元寶&后仿三孔布幣

 

中華文明上下五千年,歷史文化源遠(yuǎn)流長。每一個(gè)歷史發(fā)展階段都是我們國家成長的足跡,錢幣也正是這歷史銀河中組成的重要部分。其特定的歷史發(fā)行背景也使它在中國文明史上占據(jù)著重要的地位。錢幣文化不僅代表著中國的貨幣發(fā)展文化,也反映時(shí)代歷史、經(jīng)濟(jì)、金融的興衰和滄桑變革,具有很高的藝術(shù)觀賞價(jià)值和文物價(jià)值。

The Chinese civilization has been going up and down for five thousand years, with a long history and culture. Every historical development stage is the footprint of our country's growth, and money is also an important part of this historical galaxy. Its special historical background also makes it occupy an important position in the history of Chinese civilization. Coin culture not only represents the development of Chinese currency culture, but also reflects the rise and fall of The Times, economy and finance and vicissitudes of life.

錢幣藏品之所以受寵,是因?yàn)槠湔滟F的收藏附加值和稀有收藏性,包括文化和物質(zhì)文化、歷史和藝術(shù)價(jià)值兩個(gè)方面。材料本身的珍貴和稀缺,在藝術(shù)品市場上也顯示出其無與倫比的價(jià)值。古代的貨幣具有文化和物質(zhì)雙重屬性,已成為實(shí)力收藏家的收藏投資目標(biāo)。

Coin collections are favored because of their valuable added value and rarity, including cultural and material culture, history and artistic value. The precious and scarce materials themselves also show their unparalleled value in the art market. The ancient currency has the dual attribute of culture and material, which has become the investment target of the power collectors.

紹圣元寶,北宋哲宗紹圣元年(公元1094年)鑄造。作為大宋流通貨幣,代表國家形象,文化造詣很高的宋哲宗對這枚紹圣元寶的制造非常在意,鑄造精良。書體有篆書,行書,隸書幾種。紹圣元寶"有小平,折二,折三,折五銅、鐵錢。小平廣穿者較多,另有背星月紋者。

Shao sheng yuan bao was cast in the first year of shao sheng (AD 1094). As the currency of the great song dynasty, song zhezong, who represented the national image and had high cultural attainments, paid much attention to the manufacture of this famous silver ingot and cast it well. The calligraphy style has the seal script, the running script, the official script several kinds. Xiao sheng yuan bao has a small fold, fold two, fold three, fold five copper, iron money. Xiaoping wide wear more, and on the back of the star and moon pattern.

 

此幣可見其錢文“紹圣元寶”四字,乃篆書書體無疑,其書意瀟灑,古意盎然,與紹圣行書錢之書體,衣缽相襲,威風(fēng)凜凜威風(fēng)凜凜一致。其字形因穿廣緣寬致使其位置狹窄而趨小,然亦結(jié)構(gòu)協(xié)調(diào),橫直直立,位規(guī)置范。無需細(xì)表,開門書相確定。續(xù)察其體,辯銹識漿。展目本品,錢體之上白灰銹垢,乃十分有數(shù)的灰坑出品。其銹色雖非典型,然銹皮銹垢十分老道,緊實(shí)不糟,漫衍自然。可感其銹薄之處,包漿凝重,銅色熟老,青銅質(zhì)地可辨。一枚小小的古錢幣,蘊(yùn)藏著富厚的歷史元素。現(xiàn)在遺傳在世的精品古錢幣雖然并不多,可是每枚精品古幣價(jià)值卻是不菲。古錢幣的價(jià)格是由存世量、藝術(shù)價(jià)值和歷史價(jià)值判斷的,而且隨著市場供需關(guān)系的轉(zhuǎn)變而發(fā)生差異水平的顛簸。

This coin can be seen its qian wen "shao sheng yuan bao" four words, is the seal book body without doubt, the book meaning natural and unrestrained, ancient meaning, and shao sheng xingshu money book body, clothing, majestic Lin Lin consistent. The shape is narrow and narrow due to its wide cutting edge, but it is also structurally harmonious, straight and upright, and the positioning is normal. No need for detailed table, open the book phase. Continue to observe its body, identify rust pulp. Exhibition of this product, money on the body of white rust, is very many ash pit production. Although its rust color is not typical, but rust skin rust scale is very sophisticated, compact not bad, diffuse natural. Can feel its rust thin place, patina dignified, copper color ripe old, bronze texture can be distinguished. A small old coin contains rich historical elements. Although there are not many high-quality ancient COINS inherited from the world today, the value of each fine ancient coin is quite high. The price of ancient COINS is judged by the quantity, artistic value and historical value.

 

此枚紹圣元寶篆書體直徑2.4cm,歷經(jīng)千年滄桑品相既然如此完好,可謂可遇不可求,包漿老道,流通痕跡自然,可謂是大開門珍泉。細(xì)觀此幣字樣雋秀端莊,圓潤脫俗,運(yùn)筆自然流暢,毫無生澀之感;而筆意內(nèi)斂,筋骨暗藏,反而凸顯厚積薄發(fā)之態(tài),點(diǎn)畫之間神韻自在,越是細(xì)微處越見精妙。如此逸品,雖有精于書法者亦不可臨而得之。

With a body diameter of 2.4cm, this seal seal seal has experienced thousands of vicissitudes of life. Since it is in good condition, it can be said that it is hard to find. Looking at the coin words meaningful dignified, mellow and refined, natural smooth brush, no sense of acerbity; And collect inside brushwork, bones and muscles hide, highlight instead the state of well-accumulated and thin hair, the verve between dot painting is comfortable, the more subtle the more exquisite see. Such an exquisite product is not available to those who are good at calligraphy.

 

此枚珍品紹圣元寶,細(xì)觀此幣,雋秀端莊,圓潤脫俗,運(yùn)筆自然流暢,毫無生澀之感;而筆意內(nèi)斂,筋骨暗藏,反而凸顯厚積薄發(fā)之態(tài);點(diǎn)劃之間神韻自在,越是細(xì)微處越見精妙,整體蘊(yùn)藏著豐富的歷史元素,藝術(shù)價(jià)值極高,值得入手珍藏!

This treasure shao sheng ingot, a fine view of this coin, meaningful elegant dignified, mellow and refined, natural smooth brush, no astringent feeling; And pen meaning inside collect, bones and muscles hidden, but highlight the state of accumulation; The verve between the dots is free, the more subtle the more exquisite, the whole contains rich historical elements, high artistic value, it is worth starting to collect!

另一枚珍品古幣為后仿三孔布幣,

 布幣,因形狀似鏟,又稱鏟布,從青銅農(nóng)具镈演變而來,是中國戰(zhàn)國時(shí)期流通于中原諸國的鏟狀銅幣。鏟狀工具曾是民間交易的前言,故早泛起的鑄幣鑄成鏟狀。初的布幣,保留著其作為工具的容貌,留有裝柄的的銎,原始而厚重,厥后逐漸減輕,變薄,變小,幣身完全成為片狀,便于鑄造和攜帶。布幣是中國古代錢幣,因形狀似鏟,又稱鏟布。中國戰(zhàn)國時(shí)期流通于中原諸國的鏟狀銅幣。鏟狀工具曾是民間交易的前言,故早泛起的鑄幣鑄成鏟狀。

Cloth, because the shape like a shovel, cloth is also called a shovel, from the bronze tools on the evolution, the countries of huanghe river is China's warring states period circulation listric coppers. Shovel - like tools used to be the foreword of folk trade, so early COINS cast into shovel - like. At the beginning of the cloth, kept it as a tool of appearance, with carrying handle Qiong, primitive and thick, jue after gradually reduce, thinner, smaller, currency body completely become a flake, facilitate casting and carry. Cloth coin is an ancient Chinese coin, which is also called shovel-cloth because it looks like a shovel. Shovel - shaped copper COINS circulated in central China during the warring states period. Shovel - like tools used to be the foreword of folk trade, so early COINS cast into shovel - like.

秦始皇統(tǒng)一中國,廢布、刀等幣。王莽曾一度仿制布幣通貨。布幣在戰(zhàn)國時(shí)通貨550余年,為祖國興旺蓬勃作出了孝順。布幣錢文有對稱之感,從唐元通寶到宋朝對錢都體現(xiàn)了布幣錢文結(jié)構(gòu)的對稱。布幣錢文對稱還應(yīng)用于修建上,如明朝修建廣州天安門左右雙方名堂是相對稱的。

Qin shi huang unified China, scrap cloth, knives and other COINS. Wang mang once imitated cloth currency. Cloth currency in the warring states period currency more than 550 years, for the prosperity of the motherland made filial piety. There is a sense of symmetry in the structure of cloth money, from tongbao in tang and yuan dynasties to the money in song dynasty. The paper money text symmetry is also applied to the construction, for example, the Ming dynasty built the tiananmen square in guangzhou, the two sides of the name is relative.

此幣長7.3厘米,寬3.65厘米,這種布幣鑄量少少,流通區(qū)域狹窄,故很難發(fā)現(xiàn),極為珍罕。三孔布是戰(zhàn)國晚期流通于趙國及原中山國地域的錢幣(即今河北省及周邊部分地域,邯鄲為趙國國都)。該幣形制特殊,為圓首、圓肩、圓襠、圓足,并有顯著外廓,首部及兩足皆有一圓形有廓穿孔,故名三孔布,是我國早的帶有紀(jì)重或紀(jì)值銘文(銖或兩)的錢幣,對后世影響很大。該幣按背文分巨細(xì)二等,形制和紋飾相同,均為正面模鑄地名,反面腹部模鑄紀(jì)重和紀(jì)值文字,大者背文“兩”,小者背文“十二朱”。朱者,銖也。

The coin is 7.3 cm long and 3.65 cm wide. It is rare and hard to find because of its small amount of minting and narrow circulation area. Sankongbu was a coin that circulated in zhao and zhongshan in the late warring states period (namely, in the present hebei province and some surrounding areas, handan was the capital of zhao). This coin is of special shape, it is round head, round shoulder, crotch, round foot, and has significant outline, the head and two feet all have a round outline perforation, so it is called three-hole cloth, which is an early coin in China with inscriptions of ji weight or ji value (baht or two), which has great influence on later generations. This coin is divided into two sizes according to the back text, the shape and the system and the decoration are the same, are the front die casting place names, reverse abdomen die casting ji weight and ji value text, big back text "two", small back text "twelve zhu". Zhu, also baht.

 

古錢幣是一個(gè)國家前史中構(gòu)成的主要部分,就其特定的前史時(shí)期在錢幣史上占有著主要的地位,它不僅代表著近代中國的錢銀文明,反映了中國近代前史、經(jīng)濟(jì)、金融的興衰和滄桑,具有很高的藝術(shù)觀賞價(jià)值和文物價(jià)值。

Ancient COINS are the main part of a country's pre-history, which occupies the main position in the history of COINS in its specific pre-history. It not only represents the modern Chinese money and silver civilization, but also reflects the vicissitudes of China's pre-history, economy and finance. It has high artistic value and cultural relic value.

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