四川永合利拍賣有限公司，為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
【名稱】鄭板橋山水畫立軸
【規格】長：130cm 寬：63cm
【類別】字畫
【Name】Zheng Banqiao Landscape Painting Vertical Axis
【Specification】 Length: 130 cm wide: 63 cm
【category】Calligraphy and Painting
鄭燮(1693——1765)，字克柔，號板橋，江蘇興化人，乾隆元年進士。居揚州，以書畫營生。擅畫蘭、竹、石、松、菊等，而畫蘭竹五十余年，成就最為突出。
Zheng Xie (1693 - 1765), the character Kerou, No. Banqiao, Xinghua, Jiangsu Province, Jinshi in the first year of Qianlong. Living in Yangzhou, making a living by painting and calligraphy. He is good at drawing orchids, bamboos, stones, pines and chrysanthemums, and has made outstanding achievements in painting orchids and bamboos for more than 50 years.
鄭板橋生于1693年11月22日，逝于1765年1月22日，享年73歲;應科舉為康熙秀才，雍正十年舉人，乾隆元年(1736)丙辰科二甲進士。官山東范縣、濰縣縣令，有政聲“以歲饑為民請賑，忤大吏，遂乞病歸。”
Born on November 22, 1693, and died on January 22, 1765, Zheng Banqiao was 73 years old. He was a Kangxi scholar in Imperial examinations, a Yongzheng scholar in ten years, and a second-degree scholar in Binchen Kedi in the first year of Qianlong (1736). In Fanxian County and Weixian County of Guandong Province, there was a political voice that "begging for relief for the people who are hungry all the year round, begging for big officials, and then returning to disease."
做官前后，均居揚州，以書畫營生。工詩、詞，善書、畫。詩詞不屑作熟語。畫擅花卉木石，尤長蘭竹。蘭葉之妙以焦墨揮毫，藉草書中之中豎，長撇運之，多不亂，少不疏，脫盡時習，秀勁絕倫。書亦有別致，隸、楷參半，自稱“六分半書”。間亦以畫法行之。印章筆力樸古逼文、何。為人疏放不羈，以進士選縣令，日事詩酒，及調濰縣，因歲饑為民請賑，忤大吏，罷歸，居揚州，聲譽大著。恣情山水，與騷人、野衲作醉鄉游。時寫叢蘭瘦石于酒廊、僧壁，隨手題句，觀者嘆絕。
Before and after he became an official, he lived in Yangzhou and earned his living by painting and calligraphy. Gongshi, Ci, Good Book and Painting. Poetry disdains idioms. He is good at painting flowers, trees and stones, especially orchids. The wonder of the orchid leaves is to use the charred ink to wield the slightest, to use the vertical in the cursive books, to transport them long, not to mess up more, not to neglect less, to get rid of the time, and to show great strength. The book is also unique, Li and Kai are mixed, claiming to be "six-and-a-half books". It is also done by drawing. Seal brushwork is simple and ancient. He was unrestrained and unrestrained. He chose prefectural decrees, daily poems and wine, and tuned Weixian County. He invited relief for the people because he was hungry and hungry. He went home and lived in Yangzhou with great reputation. Loving mountains and rivers, traveling with Sao Ren and Ye Gao in drunken country. When writing Conglan thin stone in the lounge, monk wall, casual topic sentence, the viewer sighed.
鄭板橋自然山水畫入世很少不多，他的山水畫與陶淵明的山水田園詩在表現的內容、抒發的情感上, 有一定的共同點，畢竟自由舒暢、景色優美的大自然是兩位詩人反叛現實社會后的最終歸宿，是詩人美好的社會理想的象征。此畫表現變現山巒疊狀，遠近相得益彰，瀑布流水，江上泛舟，岸邊綠樹成蔭，一戶人家，幾人勞作的景象。遠處云煙的點綴，整體畫作的讓人很是憧憬的一種山野田園生活。
Zheng Banqiao's natural landscape paintings rarely enter the WTO. His landscape paintings and Tao Yuanming's landscape pastoral poems share certain similarities in expressing content and expressing emotion. After all, the free and comfortable nature with beautiful scenery is the ultimate destination of the two poets after rebelling against the real society and the symbol of the poet's beautiful social ideal. The painting shows the scenes of hills, waterfalls, boating on the river, shady trees on the bank, a family and several people working. The distant cloud and smoke embellishment, the overall painting is a very longing for a kind of mountain pastoral life.
